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  • Sales Rank: #4445164 in Books
  • Published on: 1600
  • Binding: Paperback

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Selasa, 23 Februari 2010

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How Forests Think: Toward an Anthropology Beyond the Human, by Eduardo Kohn

Can forests think? Do dogs dream? In this astonishing book, Eduardo Kohn challenges the very foundations of anthropology, calling into question our central assumptions about what it means to be human—and thus distinct from all other life forms. Based on four years of fieldwork among the Runa of Ecuador’s Upper Amazon, Eduardo Kohn draws on his rich ethnography to explore how Amazonians interact with the many creatures that inhabit one of the world’s most complex ecosystems. Whether or not we recognize it, our anthropological tools hinge on those capacities that make us distinctly human. However, when we turn our ethnographic attention to how we relate to other kinds of beings, these tools (which have the effect of divorcing us from the rest of the world) break down. How Forests Think seizes on this breakdown as an opportunity. Avoiding reductionistic solutions, and without losing sight of how our lives and those of others are caught up in the moral webs we humans spin, this book skillfully fashions new kinds of conceptual tools from the strange and unexpected properties of the living world itself. In this groundbreaking work, Kohn takes anthropology in a new and exciting direction–one that offers a more capacious way to think about the world we share with other kinds of beings.

  • Sales Rank: #2988180 in Books
  • Published on: 2013-08-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .88" w x 6.00" l, 1.14 pounds
  • Binding: Hardcover
  • 288 pages

Review
"What’s so welcome about Kohn’s approach is that he walks a tightrope with perfect balance: never losing sight of the unique aspects of being human, while refusing to force those aspects into separating us from the rest of the abundantly thinking world." (The Times Literary Supplement 2014-04-23)

"How Forests Think” is an important book that provides a viable way for people educated in Western philosophy to approach indigenous animism without being credulous or inauthentic. It is refreshing to read a book of this intellectual caliber that takes Runa stories seriously and enters into dialogue with their claims using the tools of Western philosophy." (Anthropos 2016-04-20)

From the Inside Flap
“A thinking forest is not a metaphor. Rooted in richly composted, other-than-symbolic semiotic worldings, this book teaches the reader how other-than-human encounters open possibilities for the emergent realization of worlds, not just worldviews. The semiotics in this well-wrought book are technical, worked, demanding, tuned to form and modality, alert to emergent properties, multinaturally and ethnographically precise. Thinking with the other-than-human world shows that what humans share with all living beings is the fact that we all live with and through signs. Life is constitutively semiotic. Besides all that, this book is a powerfully good read, one that changed my dreams and reworked my settled habits of interpretation, even the multispecies ones.” -- Donna Haraway, UC Santa Cruz

“I can only call this thought-leaping in the most creative sense.� A supreme artifact of the human skill in symbolic thinking, this work takes us to the other side of signification—itself doubly manifest in what gets noticed and not noticed—where it is possible to imagine all life as thoughtful life. It has been done hand in hand with the Runa. It could not have been done without the delicacy of Kohn’s ethnographic attentiveness. However far along the track you want to travel with Kohn, you will see that the anthropological landscape has already changed.” -- Marilyn Strathern, University of Cambridge

“...A work of art... [and] an immensely refreshing alternative [for] philosophical anthropology.” — Bruno Latour, Sciences Po

“Radically innovative and original [and] beautifully written.” — Anna Tsing, UC Santa Cruz

“A remarkable aspect of [this book] is the complex – and often beautifully written – intermingling of subtle theoretical propositions with an even subtler ethnography.” — Philippe Descola, Coll�ge de France

“[Kohn] means to attach us again to the world we thought our thinking removed us from by showing us that the world too thinks. … I know dancers and painters who would groove to Kohn's expansion of self and thought and living, and I want to see the dances, paintings, films, buildings that come out of dreaming over this book.” — Bookslut

About the Author
Eduardo Kohn is Assistant Professor of Anthropology at McGill University.

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26 of 26 people found the following review helpful.
Book Review- How Forests Think: Toward and Anthropology Beyond the Human (2013)
By Sevi
Eduardo Kohn’s book, How Forests Think (2013) is an inquiry on how to think beyond human as subject of anthropological study. Thus, it provides us with academic understanding of our strongly relational ties with non-human beings, which are constitutive in and for our presence in the world. In this study, ethnography is not an object, but a medium to comprehend multiple ontologies; hence, it is much different from traditional anthropological works, which mostly focus on cultural representations. Without giving up being “human,” the writer discloses how our “selves” are interwoven with other “beings.” In this sense, he offers us to approach the human and non-human as active agents in our thinking of anthropological study.

Kohn conducts his ethnographic fieldwork from 1996 to 2000 in Avila, an Upper Amazonian village in Ecuador. He uses ethnographic methods, such as participant observation and interviews, in addition to his linguistic analysis and epistemological explorations. Thus, I was expecting an ethnographic examination on culture, gender, or kinship structures in Avila. Also, I was wondering if he would theorize social, economic and political dynamics of the region in relation to the larger historical context. However, Kohn does not do what many of the previous ethnographies have aimed to do. Rather, Kohn criticizes human-centric approach of the Western anthropology by focusing on other-than-human beings, and he proves us the importance of studying human within a relationship with its surroundings. I will explain how.

Although his fundamental theoretical approach is based on semiotics and semiosis, Kohn does not see signs just as human affairs. In his account, signs are constitutive in life both for human and nonhuman beings (43). In drawing our attention to those signs, Kohn delicately interrogates how different “beings” relate to and communicate with each other. He calls this relationality “ecology of selves,” which he finds and formulates within the rainforest of an Amazonian village, where trans-species semiosis pervades and connects all living selves. A very good example of his idea of relationality is the example he gives about ants and blowing tobacco smoke in Chapter 2. Because rain starts when ants appear, people become able to impede rain by using tobacco, whose smoke prevents ants from coming out. Similarly, when Juanicu whistles like a siren, the flying ants understand as the call of their “mothers” and they answer by coming to the source of the sign (81). As a result of such communication, a relational world, where both human and animal coinhabit, is created.

However, Kohn’s book is not only about humans and animals. In Chapter 5, he talks about “perceptions” of cross-species. For instance, Runa puma, shape-shifting human jaguar, also has a perception of seeing things around himself. Whether Runa sees you as a human being or a piece of meat totally depends on Runa’s perception of you, as well as the way you present yourself before him. Therefore, you may or may not be eaten by the jaguar depending on your visual representation. In a similar vein, the Runa in their everyday life see the game animals that they hunt in the forest as wild animals, but they know that this is not their true manifestation. Hence, they do not eat, for instance, the spirit master’s chicken (178). In other words, people, Runa, and all other organisms in the forest use signs primarily to survive in this relational world.

Therefore, he draws our attention to the revolutionary potentials and scholarly possibilities of studying another type of anthropology, in which we open up ourselves to various "selves." His study converts Redfieldian notion of “worldviews” into different “worlds” of non-human beings. Kohn introduces us another world—a world where human and non-human melt into each other through semiosis of all life. Focusing on the potentials of thinking beyond human in anthropology, he provides alternative ways of thinking within scholarly language and unconventional ways of using ethnography. Kohn uses ethnography as a tool to explore the spectrum of forest, which seems larger than "little communities." However, my critic starts right there, as I would like to know more about ethnographic aspects of his work related to the Avila community. What kinds of people are able to relate themselves to the non-human selves of the forest was one of my curiosities while reading this book. How is their society organized in relation to their semiotic relationship with the world? What are their spiritual motivations and cosmologies? How does food function in this society where hunting is a fundamental phenomenon? Is there any relationship between their colonial history and their hesitation to use power upon other beings in their surrounding? I believe, in order to understand humans’ relationality with their surroundings, we also need to know such constitutive aspects of their lives. I would like to learn more about Avila community as human is already at the center of this book. Who else is going to talk about this, if not Kohn?

Moreover, I left confused about the distinction made in the book between living and nonliving forms. The writer says that patterned distribution of rivers or the recurrent circular shapes of the whirlpools are among the nonliving emergent forms in Amazonia, as they are constrained, and thus, they cannot flow freely as much as the water itself (159). However, within a new relationality, which is supposed to be developed in the new environment, they will be living in different ways and within different forms, even though they are constrained. Furthermore, he continues discussing whirlpools as simpler forms than the freer flow of water (166). However, I left wondering what makes the water free. Shall we still consider this flowing water as free, even there is a whirlpool on its way? Or, is the water also constrained affected by the whirlpool? What is the relationship between whirlpool and water? What is the relationship between water, whirlpool, and rubber trees? In order to understand “how forest thinks” as a whole, we need to understand this relationality in a larger context with more ontological explanations.

Yes, the language is tough, and it necessitates from the reader to have some background information on semiotics, ontology, and epistemology to the extent of postmodernism and posthuman critics. I do not think that the book is for the general reader, but inevitably an innovative contribution to anthropology with its writing performance. Just as a snowflake having a provisional form between present and absent, Kohn presents us a language whose form can change in any moment. His poetic language is robust yet also fragile—as if the words may rebel at any time and break apart in front of your eyes. He perfectly uses possibilities that are provided by the language, as another sign system. Among the non-textual ways of communication with the reader, the writer’s use of photography perfectly fits with the philosophical profundity of the text. I could not prevent myself from looking at the series of very well selected photographs over and over again.

Although his book is not considered as a traditional ethnography for the reasons that I mentioned above, since he opens up the scholarly work into dialogic epistemologies and provides multiplicity of experiences from an unconventional inter-species analysis of subject-object relationships, it must be considered one of the finest examples of critical ethnography.

21 of 22 people found the following review helpful.
How Forest Think-Book Review
By Cyndy
If you are looking for a book about the indigenous communities in Ecuador and the ethnographic work done among Quichua speaking people then The How Forest Think: Toward an Anthropology Beyond the Human by Eduardo Kohn is the book you must read to inform you about the worldview of the Runa in Ecuador. This book takes the reader on a journey to explore mind-blowing thoughts about living organisms that intertwine with the study of indigenous communities from a post-human approach or a going "beyond human" thinking. Using ethnographic techniques from the Runa to illustrate their relationship with the forest, Kohn writes an almost literary work to express the importance of relationships and communication between human and the other-than-human beings. His claims go "beyond the human" to develop a universal claim of how the Runa listen to the voice of the other being in order to maintain and sustain balance in their life.

The reader can begin to appreciate the book following chapters two and three, where the author bypasses the overly used principles of philosophical and linguistic analysis. Kohn suggests that inter-species communication is based on a close and intimate relationship between species in the same habitat. The use of symbols and signs between humans and other-than-human beings allow them to communicate in a system that is specific to a given environment. The author proves his claims through the use of ethnographic techniques such as participant observation, personal accounts, photos and interviews. I was particularly drawn to the use of participatory observations and personal accounts as methods of ethnographic work. The photographic display of each chapter stimulates the mind of the reader to create mental images of the ethnographic work of Kohn. Chapter five, my favorite, for instance, has Kohn beginning the chapter with a picture of a saint and a blurry picture of a Runa man in the background accompanied by the narration of a personal dream that sets the stage for future commentaries about dream interpretation. With the use of his dreams and positioning himself in the conversation about dreams, Kohn enters the conversation of dreams as a subject where his own dreams serve as an example to illustrate the realm that surpasses the human and non-human realms into metaphysical levels.

Despite the outstanding use of ethnographic techniques (e.g. participatory observation, interviews, photographs etc.) and the use of theory to re-enforce the claims made by the author, I was left wondering about an important aspect about the living selves. In Chapter Two, the section titled Memory and Absence, Kohn juxtaposes the giant anteater to a snowflake to demonstrate how remembering and forgetting are unique aspects of life (two different beings from different environments?). The giant anteater remembers his/her form from every generation and subsequent lineages, as opposed to the snowflake that falls from the sky in a single unique form every time. Kohn states that "living beings differ from snowflakes because life is intrinsically semiotic, and semiosis is always for a self" (76). When Kohn claims that life is essentially "semiotic and semiosis" he excludes, or in my opinion disregards water as being because water does not communicate in signs and, of course, does not remember form. In the sections Memory and Absence, Kohn describes "selves" as the living beings. However, snowflakes are made of ice water that is made of water molecules. Water molecules sustain life; therefore, water is life and as consequence snowflakes are life as well. In other world-views water is an other-than-human being because the simply fact that the water holds a close relationship with human beings by providing the essence for life.

Furthermore, in the world-view of several other indigenous communities water, fire, rocks, crystals, thunder, etc. are considered other-than-human beings. For instance, in the study of the Ojibwa group, Hallowell demonstrates that the Ojibwa's world-view is that human and non-human beings are in a close relationship and that this relation is linguistically marked. In other words, the relationship between the word Thunder and humans go beyond the mental representation of lightening. Thunder acts upon the living space of humans and communicates by acting as a living agent in the life of Ojibwa. I wish that Kohn went beyond the "semiotic and semiosis" aspect of defining the living selves and enter the world of ontology or to the act of dealing with the nature of beings in more detail to demonstrate how water is also a self. Konh’s characterization of living selves by defining life in a symbolic meaning is lacking the ontological relationship between human and other-than-human beings. Studies about ontology have been going on for a long time now in Native Studies. Kohn's study would have greatly benefitted from conveying how water communicates and relates to human beings in more detail as opposed to making water the vehicle or the container of the system of selfs (similar to what is achieved in Chapter 5). I find Kohn’s categorization of selves unclear and I am not convinced if the view of snowflakes and rivers as "nonliving emergent forms" is universal or part of Runa world-view only (159).

Although Kohn makes the references to communication of other-than-human beings via symbols, icons, and indexicality, I believe that a linguistic analysis of the Runa language in more details is a vital to observe how water, fire, crystals, stones and snowflakes communicate to the Runa (if they do communicate based on their own world-view). The book How Forest Think: Toward an Anthropology Beyond the Human by Eduardo Kohn is a book that does not answer the question of how forests' think, but rather provides an ethnographic account of how the Runa maintain a relationship with every organism in the forest through the use of symbols. Despite the provocative writings about animism and Kohn's take on how human and other-than-human beings relate and communicate, I am left wondering why the Runa do not hold a close relationship with water or other essential elements of life. I believe if the book would have went down this road and inspected the communication of how water, fire and other-than-human being communicate to the Runa then we would have entered the terrain of how forests think and went further beyond the Anthropology beyond the Human.

8 of 8 people found the following review helpful.
Review of How Forests Think
By Trevor Neal
In 'How Forests Think,' the author, Eduardo Kohn, has undertaken an ambitious project, challenging anthropology to be inclusive of non-human life. To carry out this project, Mr. Kohn has employed 4 perspectives; ecology, colonial history, semiotics, and the Runa, an indigenous group in the Amazon rain forest of Ecuador. He seeks to weave each perspective together symbiotically in order to gain a deeper understanding of the context the Runa participate in, and through the eyes of the Runa, a different viewpoint on how we can relate to the non-human world.

For a reader, the challenge is to pull apart the strands of thought which he has weaved together, in order to contemplate his main ideas. There is much to contemplate which I doubt I can give justice to in this short review. Therefore, I will highlight a few key thoughts.

The biodiversity of the rainforest is set up as the stage for this ethnography. Through the rainforest, Mr. Kohn contemplates the continuity and dynamics of form. Two examples he provides are the characteristics of amazon whirlpools, and the evolution of the walking stick insect. Insinuating that a certain geometry is inherent to both life and non-life, he feels it is this geometry that propels life forward into its manifold aspects. To me, it sounds like he is proposing something similar to the idea of the 'elan vital' introduced by Henri Bergson.

The work of Charles S Peirce, a semiotician, provides Mr. Kohn with his next main theme. Semiotics is the study of meaning making, and is the study of signs. Mr. Kohn believes that not only is life inherently geometric, but it also is communicating and thinking to itself in it's diverse aspects through signs.

This perspective also informs the Runa, a group of hunter gatherers that practice animism, or a belief that the natural world is animated by spirit. Interestingly enough, the Runa have been in contact with the outside world for centuries and have been acculturated to the extent that their beliefs bear the trappings of a cargo cult. Yet, despite the outward form of their belief system and practices there has been continuity of their animistic beliefs since they were first 'discovered.' Through the eyes of the Runa, a reader can get a picture of life and its forms as not only symbolic, but enchanted.

Here, I think Mr. Kohn is attempting to say that we don't have to perceive life in the same way as the Runa or ascribe to their meaning-making system. Their symbol system merely provides a case study of what an anthropology beyond the human could look like. Yet, we do need to subscribe to a view that sees life as inherently symbolic, sentient, and made up of a multitude of selves that an anthropology beyond the human needs to recognize.

He also seems to be saying that we need to recognize that life has some type of animating presence propelling it forward, whether we recognize this animating presence as spirit informing matter or some kind of intrinsic geometric sign system is up to us, but an anthropology beyond the human cannot move forward without adopting a viewpoint similar to this, because an anthropology beyond the human would have to honor life in all of its diverse aspects.

As a reader it is challenging to mine the gems that are in this book and it may take more than one reading and some reflection to understand everything that Mr. Kohn says, since there is so much set on the feast table. Even my interpretation may not capture all of what Mr. Kohn is trying to say. If there is a critique, it is here. Possibly, a reader may feel that Mr. Kohn is developing too many themes and is inadequately synthesizing them together.

Yet, if one is to adopt a systemic perspective, as Mr. Kohn attempts to do, I am not sure how else one could write a book like this because Mr. Kohn seeks nothing less than a revolution in our way of thinking. He strives to achieve this by exposing us through the eyes of the Runa shamans, and the shape shifting jaguars that participate in the life of the Amazon. It is due to the challenge that Mr. Kohn raises and his method of delivery that makes this a compelling read..

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Jumat, 19 Februari 2010

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  《红楼梦》,原名《石头记》,中国古代四大名著之一,古典长篇章回体小说,乾隆四十九年甲辰(1784年)梦觉主人序本题为《红楼梦》,在第一次活字印刷后,《红楼梦》便取代《石头记》而成为通行的书名。原本共120回,但后40回失传。现今学界普遍认为通行本前八十回为曹雪芹所作,后四十回不知为何人所作。但民间普遍认为为高鹗所作,另有一说为高鹗、程伟元二人合作著续。据人民文学出版社最新考认为是无名氏续,高鹗、程伟元整理。《红楼梦》被评为中国最具文学成就的古典小说及章回小说的巅峰之作,以至于以一部作品构成了一门学术性的独立研究学科——红学,这在文学史上是极为罕见的。自胡适作红楼梦考证以来,一般认为曹雪芹以其家族的命运投射在《红楼梦》一书。
  此版本为简体中文版《红楼梦》。

  本电子版由浙江出版联合集团编校出版,除专业排版与文字精校外,书中涉及中文字库缺失的汉字,均采用严谨的补字处理,为读者提供完美的数字阅读体验。

  大家可以在amazon的kindle books频道中搜索"BookDNA Chinese Classics"查看中文经典系列kindle电子书。
  也可以搜索"ZHE JIANG PUBLISHING UNITED GROUP"查看所有由浙江出版联合集团出版的中文电子书。

  • Sales Rank: #791535 in eBooks
  • Published on: 2013-01-01
  • Released on: 2013-01-01
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Happy to read this Chinese Classic in my Kindle!
By Lizzie S.
I was pretty surprised that I could read Chinese in my Kindle now! My Kindle is pretty old- I bought it almost four years ago, and I did not have an opportunity to read any Chinese text on it until I discovered this series. Very happy with it!

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[D268.Ebook] Download Ebook The Visions of Ransom Lake, by Marcia Lynn McClure

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Youthful beauty, naive innocence, a romantic imagination thirsting for adventure-an apt description of Vaden Valmont, who would soon find the adventure and mystery she had always longed to experience-in the form of a man. A somber recluse, Ransom Lake descended from his solitary concealment in the mountains, wholly uninterested in people and their trivial affairs. And somehow, young Vaden managed to be ever in his way, either by accident or because of her own unique ability to stumble into a quandary. Yet the enigmatic Ransom Lake would involuntarily become Vaden's unwitting tutor. Through him, she would experience joy and passion the like even Vaden had never imagined. Yes, Vaden Valmont stepped innocently, yet irrevocably, into love with the secretive, seemingly calloused manRansom Lake. But there were other life lessons Ransom Lake would inadvertently teach her as well-the darker side of life-despair, guilt, heartache. Would Ransom Lake be the means of Vaden's dreams come true? Or the cause of her complete desolation?

  • Sales Rank: #1784035 in Books
  • Brand: Brand: Distractions Ink
  • Published on: 2011-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .68" w x 5.98" l, .96 pounds
  • Binding: Paperback
  • 324 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

39 of 43 people found the following review helpful.
Handsome Ransom: new edited reprint is just as good the second time!!
By Miss Courtadoo
In this story, the wild and imaginative Vaden Valmont moves with her sister to the untamed West where her aunt and uncle need help with their mercantile. While she immediately catches the eye of Jerome Clayton, the well-mannered, ideal gentlemen and perfect beau of the town, Vaden's only interest is the mysterious and brooding town hermit, Ransom Lake, whom she continuously trips up, but whom eventually wins her heart.

I would give any of Marcia's books no less than FIVE STARS, because that's what they all deserve. It is absolutely amazing, the writing skill of this woman. She can weave a spell with her magical words and transport you to the exact time and place of the story. It is beautiful historical romance, but without smutty trash or preachy Christian ties. It's filled with sweet kisses, healing kisses, promising kisses. Romantic angst seeps off of every page! If you're looking for an amazing romance story that will keep you riveted from beginning to end, this is it! Page one will pull you in and you won't be able to put it down till the early hours of the morning. You won't regret buying this book.

If you feel the offers are too expensive or the books are unavaliable, try Googling her name or look for her publishing company, Distractions, Inc. All her books are avaliable for under $20 on her website and worth every penny. Spread the word, because Marcia is entirely too underrated and overlooked.

20 of 20 people found the following review helpful.
I totally love this book!
By Annie_May
Marcia is the best romance writer around! Her books are clean, but oh, be still my heart! The Visions of Ransom Lake is my favorite so far. I couldn't put it down.

13 of 13 people found the following review helpful.
Loved the first edition more, but it's still great!
By Clean Romance Gal
I absolutely love all of marcia's books. Vaden grows learns how much love can hurt, when you're hearts desire is not reciprocated. My favorite of her books, however is Shackles of honor.

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Selasa, 16 Februari 2010

[Y579.Ebook] Fee Download Introducing Phonetic Science (Cambridge Introductions to Language and Linguistics) ( Paperback )

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Will be shipped from US. Brand new copy.

  • Sales Rank: #1831191 in Books
  • Published on: 2004-04-25
  • Binding: Paperback

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[U256.Ebook] Download PDF The Book of Ninja: The Bansenshukai - Japan's Premier Ninja Manual, by Antony Cummins, Yoshie Minami

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The Book of Ninja: The Bansenshukai - Japan's Premier Ninja Manual, by Antony Cummins, Yoshie Minami

The Book of Ninja, the ultimate ninjutsu manual, was penned in 1676 by a ninja known as Fujibayashi. Born in the post-civil war era of Japan, Fujibayashi collected and combined information from the ninja clans of Iga - regarded to be the homeland of the ninja - and compiled it into an authoritative book. Known as The Bansenshukai, this book has now been translated into English by the Historical Ninjutsu Research Team.

The Book of Ninja begins with an in-depth introduction to the history of the times. The heart of the text takes us into the secrets of guerilla warfare and espionage. We learn spycraft, mission planning, concealment tactics, and infiltration techniques. We put on the mindset of a warrior. And those wishing to attain the highest levels of ninjutsu can discover how to kidnap enemies, perform night raids, make secret codes, and utilize the Ninja's system of divination.

The Book of the Ninja is the final say in the world of the ninja and the ultimate classic for samurai and ninja enthusiasts alike.

Did Ninjas really wear black? Read the Book of Ninja to find out.

  • Sales Rank: #354971 in Books
  • Brand: Brand: Watkins Publishing
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.49" h x 1.91" w x 6.32" l, .0 pounds
  • Binding: Hardcover
  • 544 pages
Features
  • Used Book in Good Condition

About the Author
Antony Cummins holds an undergraduate degree in Ancient History & Archaeology and a master's degree in Neolithic Archaeology. In addition to working as a ninjutsu consultant for documentaries and other researchers, he has co-hosted television programs dedicated to the ninja. His previous works include In Search of the Ninja, True Path of the Ninja, The Secret Traditions of the Sinobi, and the Illustrated Guide to Viking Martial Arts. He splits his time between Manchester, England and Japan.

YOSHIE MINAMI earned a bachelor's degree in Linguistics from the International Christian University and has worked as a consultant for television documentaries about the ninja. As a translator, she has published True English (2009) and The True Path of the Ninja (2011). She lives in Saitama, Japan.

Most helpful customer reviews

24 of 28 people found the following review helpful.
Fascinating book with tons of content!
By erwabo
I have been waiting for this translation to emerge from SOMEWHERE for the last 15 years and thanks to the Historical Ninjutsu Research Team, I finally have it. If you are a practitioner of any form of ninjutsu or a history buff, this book will not disappoint. The sheer volume of information is impressive to say the least, though keep in mind what you are receiving was never intended to be read like novel, so you can pretty much start anywhere in the book and be captivated by the information that's presented.

If you are looking for information to support your Hollywood style ninja fantasies, you won't find it here. You also will not find support for Bujinkan, Genbukan or any other ninjutsu combat systems. Clearly, shinobi of the senguko period were skilled in unarmed combat, but it wasn't until Edo era, that we began to see organized "ninja combat system." Instead what you fill find is fascinating battlefield strategy, ninja tools, fire devices, communication methods, astrology and more. There is no fluff, no candy coating...this IS ninjutsu.

What's particularly fascinating are the fairly obvious Chinese origins. There are many references to Sun Tzus Art of War throughout the text and the shinobi clearly implemented these strategies. The Ninjutsu Rearch Team's devotion to preserving historical accuracy is impressive. Perhaps not as entertaining as the shuriken hurling, straight blade wielding, bullet dodging, black costumed ninjas of the 1980's, the ninja of the 17th century were people just like us.

If you are seeking historical truth about the ninja, than this book is definitely for you...and if you are really inspired, you may even try one of the many ninja fire recipes. Surprisingly, many of the recipes require the use of mouse dung. Enjoy!

3 of 3 people found the following review helpful.
The time has come for correct understanding ....... !!!!
By hyogoken
"This book is actually more than a book. It's a collection of a very famous set of volumes translated into English with additional content as well. Many ninja enthusiasts will know the Japanese original work as the "Bansenshukai" by Fujibayashi Yasutake, as it is in many way the largest collection of ninjutsu ("shinobi-no-jutsu") tactics, strategies, philosophy, and information from long ago. Throughout the past few decades, the view of what the ninja and ninjutsu is as a way of unorthodox warfare and espionage has been greatly misunderstood. Society has developed the view of the ninja as what is really a fictitious stylization. Today's so-called modern ninja schools present a "partition" or "interpretation" regarding the fighting aspects of samurai who would perform ninjutsu ("shinobi-no-samurai") and in a sense these schools show a skewed view as to what ninjutsu is/was. This book will without a doubt present what is central to ninjutsu and what is peripheral. I highly recommend this book for its content, footnotes, and very accurate translation. The writers, Antony Cummins and Yoshie Minami have done an excellent job with certain details, including the meaning of certain kanji (written characters) that carry multiple meanings when spoken the same, but written differently. Various historical circles can benefit here. If you are interested in samurai warfare, ninjutsu-specifically, or just Japanese history in general, this book is an absolute must and excellent resource. The book is also practical in modern times for developing covert strategies aimed at investigation and protection."

6 of 7 people found the following review helpful.
A must buy for any Ninja or Samurai enthusiast!!!!!!!!!
By Amazon Customer
Definitely another superb translation and publication by Antony Cummins. The Bansenshukai is definitely the shinobi bible and contains the most information on ninjutsu and how to be a shinobi. For the first time ever it is translated in modern in english so shinobi and martial arts enthusiast can now own a personal copy and finally understand what is contained in the Bansenshukai. Hats off to Antony and Yoshie for continuing their important detective and scholarly work, for everyone looking to understand more about Samurai warfare and it's history.

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Senin, 15 Februari 2010

[D636.Ebook] PDF Ebook The Encyclopedia of Infant And Toddler ActivitiesFrom GRYPHON HOUSE

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The Encyclopedia of Infant And Toddler ActivitiesFrom GRYPHON HOUSE

  • Sales Rank: #1184649 in Office Product
  • Brand: GRYPHON HOUSE
  • Published on: 2006-08-02

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Rabu, 10 Februari 2010

[I973.Ebook] Download PDF Pere Goriot (Norton Critical Editions), by Honoré de Balzac

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Pere Goriot (Norton Critical Editions), by Honoré de Balzac

The text is that of Burton Raffell’s acclaimed 1994 translation.

The text is accompanied by an introduction, textual annotations by the editor, and a map of Paris.

"Responses: Contemporaries and Other Novelists" illustrates Balzac’s immense influence on other writers, among them Charles Baudelaire, Hippolyte Taine, �mile Zola, and Marcel Proust.

"Twentieth-Century Criticism" presents a superb selection of critical writing about the novel.

The critics include Ernst Robert Curtius, Albert B�guin, Erich Auerback, Georges Poulet, Michel Butor, Louis Chevalier, Pierre Barb�ris, Peter Brooks, Sandy Petrey, Nicole Mozet, and Janet L. Beizer.

  • Sales Rank: #200374 in Books
  • Color: Purple
  • Published on: 1997-12-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .80" w x 5.10" l, .81 pounds
  • Binding: Paperback
  • 384 pages

Language Notes
Text: English (translation)
Original Language: French

From the Back Cover
'Pere Goriot' is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. Interwoven with this theme is that of the impoverished young aristocrat, Rastignac, come to Paris from the provinces to make his fortune, who befriends Goriot and becomes involved with the daughters. The story is set against the background of a whole society driven by social ambition and lust for money.

About the Author
Honore de Balzac (1799-1850) was born in Tours. By the time of his death, he had written over one hundred novels, novellas, and plays, all the while working as a journalist. Colonel Chabert is one of the "Scenes from Private Life," which is a part of Balzac's well-known life-long project, La Comedie Humaine.

Peter Brooks has written extensively about the nineteenth-century novel, French and English. His books include The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess; Reading for the Plot, Body Work, Psychoanalysis and Storytelling and The Emperor's Body: A Novel. After many years on the faculty at Yale University, he currently teaches at Princeton University.

Burton Raffel is Distinguished Professor of Humanities at the University of Louisiana at Lafayette Emeritus. He is the translator of many works, including Gargantua and Pantagruel (awarded the French-American Foundation Translation Prize), P�re Goriot, Beowulf, and the five romances of Chr�tien de Troyes.

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26 of 26 people found the following review helpful.
Peerless
By Panopticonman
Norton has done a really fine job on its critical edition of PERE GORIOT. The translation is especially good, vivid and direct. The commentaries are well chosen and organized. Of particular interest are appreciations of Balzac by writers who were influenced by him, including Zola, Proust, Baudelaire and Henry James. Henry James' take on Balzac is particularly interesting. Written in James' late style, the essay is sometimes inscrutable, but still, James, as always when he writes on writers and writing, offers great insight into Balzac and his oeuvre.

Highly recommended.

6 of 6 people found the following review helpful.
The Best Edition short of the Original
By Trevor Kroger
There's little I can say about Pere Goriot which others haven't said better. I can say that this is the best translation you will find in English as it captures all the nuances of the original. The last line in particular, which other editions translate rather forcefully and thus change much of the tone of the preceding narrative, is here much more reflective of the ambiguity which Rastignac found himself in.

5 of 5 people found the following review helpful.
Outstanding, simply outstanding
By Jason P Linde
Balzac is a master and this book demonstrates his depth and ability to articulate the human condition, to remind us of feelings we once had (and still possess) and to capture in print, the intensity of feelings that many of us would believe are beyond our abilities to describe. A marvelous work.

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Jumat, 05 Februari 2010

[S958.Ebook] Ebook Free Chas Addams: A Cartoonist's Life, by Linda H. Davis

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Chas Addams: A Cartoonist's Life, by Linda H. Davis

“They’re creepy and they’re kooky,” is how the catchy theme song of The Addams Family described everyone’s favorite nonconformists–Morticia, Gomez, Lurch, Uncle Fester, Grandmama, Wednesday, and Pugsley. But for all the novelty of the sitcom based on Charles Addams’s groundbreaking New Yorker cartoons, Hollywood’s Addams family paled beside the cartoonist’s. “Not half as evil as my original characters,” sighed Addams.

Though the haunted-household cartoons developed a following among New Yorker readers long before the 1960s sitcom, and the Addams and their seedy Victorian mansion soon became recognizable types, the artist with the well-known signature “Chas Addams” remained an enigma. Called “the Bela Lugosi of the cartoonists,” Addams was the cartoonist everyone–even Hitchcock–wanted to meet. He was bedeviled by rumors. People claimed that he slept in a coffin, collected severed fingers sent by fans, and suffered bouts of madness that sent him to the insane asylum.

The true Addams was even more fabulous than the wildest stories and cartoons. Here was a sunny, funny urbane man, “a normal American boy,” as he called himself, with a dog who hated children and a taste for crossbows. While producing a unique body of work featuring lovingly drawn homicidal spouses, demonic children, genteel monsters, and an everyday world crosshatched with magic, Addams raced classic sports cars, juggled beautiful women (Joan Fontaine, Jackie Kennedy, and Greta Garbo, to name a few), and charmed everyone. But though his pursuits suggest lighthearted romantic comedy, Addams’s life had its sinister side. Far darker than anything Addams created with a brush was his relationship with a dangerous woman who forever changed his life.

In this first biography of the great cartoonist, written with exclusive access to Addams’s intimates and his private papers, we finally meet the man behind the famed cartoons and circling rumors. Here is his surprising childhood in New Jersey, the cartoon that offended the Nazis, the friend whose early death Addams long mourned. Here are his wives, the stories behind his most famous–and some of his most private–cartoons, and the Addams whom even his closest friends didn’t know.

With wit, humor, poignancy, and insight–enhanced by rare family photographs, classic and previously unpublished cartoons, and private drawings–Linda H. Davis paints an engaging and endearing portrait of a marvelous American original.

One of America’s most gifted biographers, Linda Davis has given us an engrossing, unforgettable portrait of the legendary New Yorker cartoonist. In Davis’s empathetic narrative and in accompanying cartoons, photographs, and drawings, the great artist lives again in all his eccentric brilliance,
ghoulish sense of humor, fecund love life, and warm and gentle humanity. Beautifully written and exhaustively researched, Chas Addams: A Cartoonist’s Life deserves to win every literary prize there is for best biography.--Stephen B. Oates, Paul Murray Kendall Professor of Biography and Professor History Emeritus, The University of Massachusetts at Amherst

“If you don’t appreciate martinis with eyeballs in them, this is not the book for you. For the rest of us here is an irresistible riot of a read, an exhilarating expertly mixed cocktail of words and images. Charles Addams’s life was crowded with women–famous women, smart women, witty women, garden-variety drop-dead beautiful women–but in Linda Davis he has truly met his match.” --Stacy Schiff, winner of the Pulitzer Prize for Vera

“Seldom have we found as satisfying a fit of subject and author as this. Linda Davis has distilled years of research, travel and interviews into a rollicking and fascinating review of Addams’s astonishing life as artist, playboy and–from time to time–husband. We can all be grateful that Addams and Davis finally found one another.”--Harrison Kinney,
author of James Thurber: His Life and Times


  • Sales Rank: #1057722 in Books
  • Brand: Brand: Random House
  • Published on: 2006-10-24
  • Released on: 2006-10-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.57" h x 1.31" w x 6.47" l,
  • Binding: Hardcover
  • 382 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In this buoyantly written first biography of Charles Addams, Davis dispels the myths surrounding the cartoonist and challenges facile assumptions that Addams was the archetype of his own creepy creations. Though fascinated by "the aberrations of life," he loved Aston Martins and Bugattis, cigars, drinking and beautiful women (he often dated famous ones, including Greta Garbo, Joan Fontaine and Jackie Kennedy). Addams—whose living room centerpiece was a draining device for corpses called a "drying out table"—gleefully perpetuated the myths surrounding him. He liked to imagine "that if he hadn't been a cartoonist, he might have been a criminal." However, a more sustained exploration of Cecil Beaton's comment that Addams's work "introduced a gothic element into daily life" would have added a deeper dimension to this portrait. Overall, it's more affectionate than critical, and never fully explains why Addams's work became so beloved or significant. Yet the book, which includes previously unpublished artwork, photographs and personal drawings, is sure to interest Addams fans and New Yorker history buffs. (Nov.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Charles Addams eventually became famous for his morbid, mordantly witty New Yorker cartoons and the ghoulish, gothic family that appeared in them, and later a 1960s TV series and several movies. But as a struggling cartoonist in the 1930s, he was hardly the most original, or even the funniest, out there. As Davis shows in this well-researched valentine to Addams, some of his early cartoons were so run-of-the-mill that it's hard to believe he would soon develop a personal, highly eccentric, taboo-breaking style. Davis charts Addams' transformation from adequate apprentice to inspired master, tying the darkening of Addams' wit to events in his life: an army hitch, falling in and out of love, the failures of several marriages. At times it seems that Davis' strong love for Addams and his work forces her to soft-pedal the most problematic parts of his biography--Addams' darkest, often sadistic projections, as though from out of the national id, where did they come from? Still, all true fans will enjoy the multitude of facts Davis packs in. Jack Helbig
Copyright � American Library Association. All rights reserved

About the Author
Linda H. Davis is the author of Onward and Upward: A Biography of Katharine S. White and Badge of Courage: The Life of Stephen Crane. She lives with her husband and two children in Harvard, Massachusetts.

Most helpful customer reviews

12 of 12 people found the following review helpful.
ADDAMS: That's two "D" s for Devishly Delicious !
By Steve Cox
What a fantastic biography of this mysterious man, this legendary cartoonist! It's about time someone explored fully the life of Charles Addams, father of "The Addams Family" and master of the macabre and bizarre cartoons from The New Yorker magazine. The tales from his odd childhood and woes of his wives (well, two of them) make for a terrific story here and Linda Davis has given Addams the proper send-up with this highly detailed and smartly written biography. (There are a few small pebbles in the shoe: for instance, The Addams Family television sitcom in the 60s was filmed, not "taped"...) But all in all, superb research and insight into this talented being with an eerie twist to him. The book makes you wish you'd met the man. There are ample illustrations inside, examples of Addams artwork, snapshots, diary entries, family photos, etc. Bravo!

5 of 5 people found the following review helpful.
Clinical (Bordering on Sterile) Bio of A Colorful Rogue
By Donald P. Reed
Chas Addams [1912-1988], A Cartoonist's Life, Linda Davis; Random House (2006)

"She is one of that all-too-common breed that idolizes The New Yorker & is constantly reminding you of cartoons that appeared in it years ago, which she then proceeds to describe in detail (guffawing) & then "Oh, dear, if I could only remember the caption!" She also remembers everything I ever wrote, & quotes passages from it written by Max Shulman & Geoffrey Hellmann..."

--- S.J. Perelman, "The Selected Letters of..." (p. 117 .)

Not a waste of time, & informative; but Tom Kunkel, author of the great Harold Ross biography, is not even remotely in jeopardy of being eclipsed.

The artist infused with an abundance of charm needed a writer equally blessed with a warm sense of humor & wit - not an author with a compulsive need to describe each & every detail in his cartoons (particularly if the cartoon itself is on the opposite page).

She did do an excellent job of it in some respects. Her exposure of the frauds of his maniacal & manipulative 2nd wife, & the inane brain of the vain Joan Fountaine (one of his paramours), was first-rate.

But as with the anemic Fred Allen bio (by Robert Taylor), Davis never really got a feel for her subject until at the very end, in the chapters that describe a trip out to Connecticut taken by Addams (by now, in his mid-70s) & Frank Modell, only a few days before Addams passed away.

It also might have been the subject matter, Addams himself - something along the lines of, when astonished acquaintances of Cary Grant would discover what a remarkably un-debonair man he could be, in real life.

Addams knew his way around a tux, but he never exhibited any desire to do anything other than to race sports cars & draw brilliant illustrations later to be united with punch lines (many of which were not his own).

At the tail end of a (probably platonic) fling with (the post-JFK, pre-Onassis) Jackie Kennedy, she thoughtlessly wounded him with a cruel remark.

" 'Well, I couldn't get married to you,' she told him. 'What would we talk about at the end of the day - cartoons?' "

(She probably said the same thing to the pool boy.)

But I'll give it this. It was a pleasant change to read a book about The New Yorker that hadn't been written in anger by ex-staffers with their "How It All Went Wrong" axes to grind.

5 of 5 people found the following review helpful.
Dadd & Charlie
By Jeffrey Aldridge
My dad and Charlie were in business during their undergraduate days at UPenn. Dad would go out and take orders and Charlie would draw custom Christmas "and other special occasion" cards. I thought this was pretty neat. Nearing his deathbed, my dad finally confessed the he'd go out and take very specific instructions, gather photos, descriptions, etc. and bring other sordid details back to Charlie, who would then draw "pornographic" cards based on those orders. That revelation got me looking at Wednesday in a whole new light! It was enjoyable to read that Charlie was like that all his life.

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