Minggu, 27 Juni 2010

[N276.Ebook] Free PDF The Arts of China, 5th Revised & enlarged Edition, by Michael Sullivan

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The Arts of China, 5th Revised & enlarged Edition, by Michael Sullivan

For the fifth edition of his internationally renowned The Arts of China, Michael Sullivan has thoroughly revised and expanded every chapter of this classic history of Chinese art from the Neolithic period to the present day. This new edition reflects the latest archaeological discoveries, pays greater attention to the art of calligraphy, provides more information on Chan (Zen) art, and takes a close look at contemporary art. New images have been added to almost every chapter: the work now features more than four hundred photographs, maps, and illustrations, with more than two-thirds of them in full color.

Written in the engaging and lucid style that is Sullivan's hallmark, The Arts of China is readily accessible to general readers as well as serious students of art history. Sullivan's approach remains true to the way the Chinese themselves view art, providing readers with a sense of the sweep of history through China's dynasties. This organizational strategy makes it easy for readers to understand the distinct characteristics of each period of art and to gain a clearer view of how Chinese art has changed in relation to its historical context. With many improvements that bring it fully up to date, The Arts of China will remain the most comprehensive and widely read introduction to the history of Chinese art.

  • Sales Rank: #176207 in Books
  • Published on: 2009-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .80" w x 8.25" l, 2.62 pounds
  • Binding: Paperback
  • 353 pages

Review
"[Sullivan] writes clearly and fluidly . . . making interpretive connections to Western counterparts, offering fascinating insights into the "Chinese mind"."--"Naea News"

From the Inside Flap
"From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's introduction to Chinese art history is the classic in its field, unsurpassed in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art."—Jerome Silbergeld, Princeton University

"I have used Sullivan's Arts of China in my class for thirty years. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."—Richard Barnhart, Yale University, editor of Three Thousand Years of Chinese Painting

"After more than forty years since its first publication, Michael Sullivan's Arts of China, now in its fifth edition, remains the most concise yet most comprehensive introduction to the history of Chinese art to students and the public."—Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor, University of Chicago

"Michael Sullivan is the acknowledged dean of modern Chinese art studies, and any work bearing his name guarantees both a high level of quality and a wide readership."—Maxwell K. Hearn, Metropolitan Museum of Art

About the Author
Michael Sullivan is Fellow Emeritus at St. Catherine's College, Oxford University. His many books include The Night Entertainments of Han Xizai: A Scroll by Gu Hongzhong and Modern Chinese Artists: A Biographical Dictionary (both from UC Press).

Most helpful customer reviews

39 of 43 people found the following review helpful.
Lucid Style attracts me.
By A Customer
It is difficult to write "Short History of Chinese Arts". Suppose that an honest scholar start preparing his lecture note of " Chinese Arts", he shall struggle with selecting subjects and plates. Moreover, for example, he feels that he be an expert on ancient bronzes, and a beginner of export wares in 17th century. Leaving the purgatory, he would want help to a standard textbook.
Among English books, this noted book may have used in many college courses. 1st edition(1967) and The revised edition(1973) were welcomed by many students and scholars. Even a japanese translation had been popular for many years. In this 4th edition, 84 old respectable scholar still attracts me with lucid style.
For beginners, this should be a good introduction. Appreciating artifacts in Museum, finding something in antique shop, or reading books/papers/articles about a particular subject, it needs some elementary background knowledge for chinese arts and history. This offers such COMMON SENSE.
For experienced scholars, this is an interesting reading. This might look a mean textbook for them. Before reading, I minded I become tired for many facts already learned, but I enjoy this book even in commute train, although this edition format is too large. Because not only this is Readable for a japanese, but also gives many (sometimes implicit) skeptical suggestions. At 258p, about Wan Hui (1632-1677, painter), "The Palace Museum collection also contains a number of clever pastiches of tenth-century and Northen Song landscapes that are almost certainly his work"; keen insight!.
I should regretfully notice that some illustrations/items might be inadequate, blurred, or damaged. I hope that they will be changed at next chance.

18 of 19 people found the following review helpful.
Useful and Knowledgable
By A. King
The book, The Arts of China, was book I needed to purchase for a college level Asian Art History class focused on China. Each chapter was divided into dynasties and within each chapter sections were written on: background history, ceramics, paintings, sculpture, and other various topics. There are lovely color pictures with high resolution, which are an essential to any student or scholar studying this art. The writing is clear and even enjoyable. I'd highly reccommend this book!

14 of 16 people found the following review helpful.
Serves its purpose
By joye
I bought this book for a class, and I've been satisfied with it. The pictures are nearly all in color. The few pictures that are not in color, are usually not in color because we only have black and white photographs left. I would have appreciated greater information on the pieces in the illustrations. Sometimes a piece is pictured as an example without the caption or text going into exactly what aspects of the piece make it a typical example of the period. I had to rely more on my professor for that.

The book does a good job at talking about the religious, social, and scientific changes that effect the production and purpose of art.

The writing is very clear but fairly dry and academic, so it's not really a book that makes you want to sit down and read it for hours. I don't think I would have finished it if I wasn't taking a class using it, but I did learn a lot.

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Sabtu, 26 Juni 2010

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A love story that will break your heart.

Jane Steele had been in a relationship with Australian Test cricketer Glenn McGrath for less than two years when, at age 31, to her horror and disbelief she was diagnosed with breast cancer. She didn't want to burden him, and offered to end the relationship and return to England to face the problem alone. He wouldn't have a bar of it---he was sticking by her no matter what.

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  • Sales Rank: #1714573 in eBooks
  • Published on: 2012-01-01
  • Released on: 2012-01-01
  • Format: Kindle eBook

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Kamis, 24 Juni 2010

[V711.Ebook] Get Free Ebook Engineering Turbulence Modelling and Experiments 5, by W. Rodi, N. Fueyo

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Turbulence is one of the key issues in tackling engineering flow problems. As powerful computers and accurate numerical methods are now available for solving the flow equations, and since engineering applications nearly always involve turbulence effects, the reliability of CFD analysis depends increasingly on the performance of the turbulence models.
This series of symposia provides a forum for presenting and discussing new developments in the area of turbulence modelling and measurements, with particular emphasis on engineering-related problems. The papers in this set of proceedings were presented at the 5th International Symposium on Engineering Turbulence Modelling and Measurements in September 2002. They look at a variety of areas, including: Turbulence modelling; Direct and large-eddy simulations; Applications of turbulence models; Experimental studies; Transition; Turbulence control; Aerodynamic flow; Aero-acoustics; Turbomachinery flows; Heat transfer; Combustion systems; Two-phase flows. These papers are preceded by a section containing 6 invited papers covering various aspects of turbulence modelling and simulation as well as their practical application, combustion modelling and particle-image velocimetry.

  • Sales Rank: #15761731 in Books
  • Published on: 2002-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.75" w x 1.75" l, .0 pounds
  • Binding: Hardcover
  • 1028 pages

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  • Published on: 2010-01-01
  • Binding: Paperback
  • 240 pages

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Sabtu, 19 Juni 2010

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Ceramic Sculpture: Making Faces: A Guide to Modeling the Head and Face with Clay, by Alex Irvine

Sculpting the human face presents a unique artistic challenge—but this richly illustrated guide thoroughly demystifies the process. Instructor Alex Irvine goes step-by-step, explaining everything from creating basic, rough outlines to surface refinements to finely detailed replicas. Photographs of models and sketches appear alongside the actual sculpture, and a gallery of contemporary work inspires.

  • Sales Rank: #69312 in Books
  • Published on: 2014-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .61" w x 8.50" l, 1.20 pounds
  • Binding: Paperback
  • 128 pages

About the Author
Alex Irvine is a working sculptor, instructor, and member of the Clayspace Co-op in Asheville, NC. His work has been featured in numerous shows from SoFA to The University of the Arts to Baltimore Clayworks. He primarily teaches intensive workshops on sculpting the human face.

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19 of 20 people found the following review helpful.
this book has so many good basic techniques and tips
By James Ziessler
No one book is a complete resource, you always have to add books to get a more complete picture. However, this book has so many good basic techniques and tips, it could stand alone. Very good resource for the beginner and experienced in making sculptures.

14 of 15 people found the following review helpful.
Another Great Lark Pottery Book
By David Gordon Ducker
I am a retired school teacher and potter. I throw (make pots on the wheel) and handbuild. My work can be seen at davethepotter.ca

No doubt because pots often suggests a face, human faces have a long tradition in pottery/sculpture. Whether ugly faces pots and mugs of the American south, or the Martin Brothers, English potters 1870's - 1900's who are famous for the Walley Birds and face jugs the adding or painting of faces onto pots goes back at least 5000 years. This book will help ensure that tradition continues.

Chapter one starts with a brief discussion of the tools and materials needed. Really a minimum of tools and equipment are required, although you will need access to a kiln. Mr. Irvine uses earthenware fired to cone 04. This is clay is very common among sculptors but the techniques are just as useful to potters firing to stoneware temperatures. The rest of the chapter deals with the anatomy of the head, including skull and musculature.

Chapter two is a discussion of building techniques. This book isn't really for beginner potters - some, but not all basic clay techniques are shown and briefly discussed. I'd think beginners, to be successful would find it useful to take a basic pottery handbuilding course at your local community college or potter's guild first before attempting to create these faces. Experienced potter will have little difficulty as they will be familiar with all the techniques used to make the head.

Mr. Irvine uses slab construction as opposed to solid construction or the use of an armature. Only the slab technique is described in detail, and the armature technique is not the standard approach as described in most sculpture books. With slab construction the face is shaped by pushing out from the inside and pushing in on the outside. This is a technique I've used on thrown and handbuilt vases and pots. It is a technique I learnt from Arthur Gonzales in The Figure in Clay, Lark 2005.

After discussing the overall technique, in chapter three we have a more detailed look at the sculpting of the facial features -eye, nose, ear, mouth and chin. This is well done and is sufficiently detailed to create a basic head.

Mr Irvine thinks hair is the hardest part (p62) of sculpturing the head and you will have to look elsewhere for a detail discussion on hair. While there is little about hair there is nothing on facial hair. Maybe not a major concern for you but for someone who has had a beard for 45 years it is a point to be noted. While I haven't made a head yet using the book there is one change I would already make to the basic technique. If I was going to add hair I'd make the head slightly over size so I could push out and shape the hairline and volumes of the hair. This avoids adding large amounts of clay to the top of the head which would have be removed (hollowed out) before drying. I'd experiment and maybe start with a cylinder an inch taller than suggested.

Chapter four covers six expressions: happiness, sadness, anger, fear, surprise, disgust. Each expression is demonstrated and covers changes to the muscles, eyes and eyebrows, mouth, etc. This is all very well done and maybe the most useful part of the book and I'm sure you will refer back to this section often.

The same cannot be said for the section on aging. There is a very brief discussion of aging of the face but no demonstration by author of an older face - there are a few 'old' heads in the gallery.

The final chapter deals with the basic drying and firing techniques. Drying a face constructed using the slab technique is really no different than drying a thick vase and will not present a problem for the average potter. The discussion on glazes is very brief and unlike many pottery books there are no recipes for glazes.

This brings me to the biggest weakness of the book. Mr irvine includes the same male and female white models throughout the book. He doesn't address the child's head, ethnic or age differences. While this might be excusable in a book for potters just starting to try their hand at sculpture I find it harder to understand the absence of female faces. All sculptures demonstrations are male, In fact the majority of sculptures throughout the book are male. Mr. Irvine's male faces are wonderful so it cannot be any lack of ability to create a female face. The book would of been even more useful if Mr. Irvine had alternated between male and female faces, oh well!

Still in spite of this weakness I think this is another great Lark pottery book which deserves a place in any potter's library who is interested in handbuilding. I know I'm going to get a lot of use out of it. Definitely recommend!

Davethepotter

6 of 6 people found the following review helpful.
Wish I'd bought it sooner!
By Dedicated Book Lover
I so wish I'd thought to look for this before I began my first bust. It would have saved me a whole lot of time, and increased the chance that the finished piece will dry evenly enough to remain free of cracks before it goes into the kiln. Fingers crossed! Because I tend towards realism (and being a born perfectionist) it took a lot of time to work and re-work the face until it became real enough, and with the subtle smile that I was hoping to achieve.
This book has excellent photos of not only the work in clay but also of models who offer a good range of expressions for every mood. It's also full of inspiring pieces from a range of different artists.
The techniques are clearly laid out, step by step, and shown in good detail.
The only thing that could have improved this for me would be to see some details of neck and shoulders. My figure is of a woman with her eyes half closed, face tilted upwards and slightly to the side. As is almost always the case, the neck and shoulders are the base of a bust, and I was hoping to see some examples of protrusions of the spinal cord, and the scapulas to help to perfect my piece. It's very hard to find photos that help with something like this.
Overall though, I highly recommend this book. Love it!

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Jumat, 18 Juni 2010

[O320.Ebook] Download PDF Transition Metals in the Synthesis of Complex Organic Molecules

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Transition Metals in the Synthesis of Complex Organic Molecules

  • Published on: 1701
  • Binding: Hardcover

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Rabu, 16 Juni 2010

[J332.Ebook] PDF Download Journalism Across Cultures, by Fritz Cropp, Cynthia M. Frisby, Dean Mills

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Journalism Across Cultures, by Fritz Cropp, Cynthia M. Frisby, Dean Mills

Even the most fair-minded journalists can find it difficult to get past cultural stereotypes. The ability to see through stereotypes with fair and accurate reporting is becoming imperative in today’s shrinking global community. Journalism Across Cultures will help journalists and future journalists better serve their audiences by examining cultural paradigms. This text is aimed at undergraduates in international or cross-cultural journalism courses and provides a comprehensive overview of journalism issues across lines of race, culture, gender, age, sexual orientation, and ideology.

Assembled by a diverse panel of experts, this primary text provides a synopsis of research into the coverage of minorities. It offers a report on an innovative approach to improved coverage of minorities through journalist and researcher collaboration. Authors also examine the news coverage of women, using this coverage as an example to describe the varying academic theories by which news content about any subject can be studied.

The text does not stop there, but probes other individual underrepresented groups, analyzes the history of their coverage, and offers recommendations and resources for improved coverage. This book helps achieve the goal of better journalism by fostering an understanding of the wide mix of cultures that today’s media serves

  • Sales Rank: #2160055 in Books
  • Published on: 2003-08-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.35" h x .90" w x 6.30" l, 1.23 pounds
  • Binding: Hardcover
  • 249 pages

From the Back Cover
Even the most fair-minded journalists can find it difficult to get past cultural stereotypes. The ability to see through stereotypes with fair and accurate reporting is becoming imperative in today’s shrinking global community. Journalism Across Cultures will help journalists and future journalists better serve their audiences by examining cultural paradigms. This text is aimed at undergraduates in international or cross-cultural journalism courses and provides a comprehensive overview of journalism issues across lines of race, culture, gender, age, sexual orientation, and ideology.

Assembled by a diverse panel of experts, this primary text provides a synopsis of research into the coverage of minorities. It offers a report on an innovative approach to improved coverage of minorities through journalist and researcher collaboration. Authors also examine the news coverage of women, using this coverage as an example to describe the varying academic theories by which news content about any subject can be studied.

The text does not stop there, but probes other individual underrepresented groups, analyzes the history of their coverage, and offers recommendations and resources for improved coverage. This book helps achieve the goal of better journalism by fostering an understanding of the wide mix of cultures that today’s media serves

About the Author
Fritz Cropp, Ph.D. directs the International Programs office at the University of Missouri-Columbia School of Journalism, where he also is an assistant professor of advertising. Cynthia Frisby, Ph.D. is an assistant professor of advertising at the University of Missouri-Columbia School of Journalism. Dr. Frisby teaches courses in advertising, media planning and media sales. Dean Mills, Ph.D. has been professor and dean at the School of Journalism at the University of Missouri-Columbia for 13 years.

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Rabu, 09 Juni 2010

[I157.Ebook] PDF Ebook A Complete Guide to Acupressure: Jin Shin Do, by Iona Marsaa Teeguarden

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A Complete Guide to Acupressure: Jin Shin Do, by Iona Marsaa Teeguarden

A Complete Guide to Acupressure fills the need for something in between simplistic acupressure books and complicated acupuncture texts. Now even more complete, this new edition has been updated to include:
o JSD as a tool for aiding recovery from Post-Traumatic Stress Disorder - a state of hyperarousal following a traumatic experience like an accident, attack, or disaster;
o Anxiety and insomnia as indications of disturbed Shen, or Spirit, with point combinations integrating traditional acupuncture theory with segmental theory;
o The Five Elemental Processes as a practical guide to a harmonious relationship with Nature, both around us and within us;
o JSD acupressure as an adjunct to first aid for athletic injuries in outdoor situations like hiking and wilderness travel.
o A clothes-on technique, Jin Shin Do is the author's unique synthesis of a Japanese acupressure technique, traditional Chinese acupuncture theory, Taoist philosophy, Qigong (breathing exercises), and Western psychological tools. A Complete Guide to Acupressure describes this synthesis in detail, with chapters by Iona and senior Jin Shin Do teachers in the U.S., Canada and Europe. "Jin Shin Do" means "The Way of the Compassionate Spirit," and this book is a treasure house of ways to treat ourselves compassionately.
o Iona Marsaa Teeguarden, M.A., L.M.F.T. has taught Jin Shin Do Acupressure throughout the U.S., Canada and Europe for three decades. The author of the classic Acupressure Way of Health and The Joy of Feeling: Bodymind Acupressure, she is a Diplomate of Asian Bodywork Therapy (NCCAOM), and has been a Licensed Marriage and Family Therapist since 1983.

  • Sales Rank: #1027158 in Books
  • Brand: Brand: Japan Publications
  • Published on: 2002-09-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.10" h x 1.00" w x 10.10" l,
  • Binding: Paperback
  • 341 pages
Features
  • Used Book in Good Condition

Review

Jin Shin Do acupressure. . . is a unique bodymind therapy combining a keen understanding of Oriental physical medicine with Western mind-body concepts from Ericksonian hypnotherapy to Gendlin's focusing. -Mark D. Seem, Ph.D., L.Ac., author of Bodymind Energetics, Acupuncture Energetics, and Acupuncture Imaging.


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7 of 7 people found the following review helpful.
Complete but dense
By Fernando
I bought this bought about a month ago and even though I have not read it completely I am fairly familiar with it now, so here's my review.

I approached the book as a "teach yourself acupressure" guide, being aware of the limitations of this approach. I am acquainted with yoga and meditation techniques, and a just over the average human anatomy knowledge, but I haven't had any contact with traditional chinese medicine so far.

The printing and binding is fairly good. It is paper back but the cover looks resilient. It is printed in quality paper (maybe too white?), which is a plus for a book that is more a look-up manual than a read and store story. The illustrations are black and white, and even though I would like a little bit more of detail some times, they are helpful in general. All the Strange Vessels and Meridians have their points illustrated on a standing human figure, relating to both the major skeletal and muscular body references. Specific points like Meridian source points are illustrated on local figures of hands and feet. Later chapters dealing, for instance, with jaw, head and neck tension also have specific head illustrations to help find the right spot for the points.

The book covers a fairly good amount of theory, as well as giving practical examples to be applied "as-is". My feeling at this point is that there is enough background to understand why the offered release patterns work, and to gain enough insight as to develop your own practice. Furthermore, there are plentiful quotations to other sources, which gives the text a more scientific flavour, and allows the reader to check other opinions.

Now with the downsides. As a total beginner in the subject, I found it difficult to find my way through the book. Different chapters are written by different authors, and while the overall structure of the book seems reasonable, useful knowledge is sometimes scattered accross different sections, or duplicated (better this than spread out...). For instance, chapter 3 explains what seems to be one of the major foundations of the method: Strange Flows. It explains how they regulate Qi and how they interconnect the meridians. However it is not until chapter 4 that the meridians are actually explained. Even then, there are constant references to later chapters 10-21, which not only contain more in-depth explanations of a given meridian, but also general theory which, in my opinion, should be covered earlier in the book.

My biggest critique is with the numbering method itself. The book develops a new numbering system for the points, and it includes the equivalent chinese numbering for cross-reference with other sources, which is a good thing. Early on in the book the basic points of the system are introduced, including their location and function. However, later chapters introduce further points in a non-systematic way. Many specific release patterns include points that are not explained anywhere else than the section of the pattern, and some of them do not even include a textual explanation of their location. This makes me wonder whether the new numbering is useful at all. In any case I find that a complete index with all the points that appear in the book - and not only the basic fifty five points - would be very useful.

All in all, I find the book very interesting, with a lot of content, but lacking a little bit of structure.

22 of 24 people found the following review helpful.
Nice book, different approach
By J. Rogers
Good section on theory and very good coveage of specific ailments. I also liked the combining of energy and psychology. Better than most books I have read on the subject.

The suggestions I have are

-a better index (benefits of points not listed)

-more info on preventatives

0 of 1 people found the following review helpful.
Too long and boring. More for the very serious student of Jin Shin do.
By Paula Mahinske
Hard to get into. To scientific and long and somewhat boring. Not my favorite book on the subject. More of a text book than a "go to book" for practical. Better for serious students of the practice.Moderately recommended.

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Jumat, 04 Juni 2010

[L163.Ebook] Ebook Download Inner Presence: Consciousness as a Biological Phenomenon, by Antti Revonsuo

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Inner Presence: Consciousness as a Biological Phenomenon, by Antti Revonsuo

Inner Presence: Consciousness as a Biological Phenomenon, by Antti Revonsuo



Inner Presence: Consciousness as a Biological Phenomenon, by Antti Revonsuo

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Inner Presence: Consciousness as a Biological Phenomenon, by Antti Revonsuo

The question of consciousness is perhaps the most significant problem still unsolved by science. In Inner Presence, Antti Revonsuo proposes a novel approach to the study of consciousness that integrates findings from philosophy, psychology, and cognitive neuroscience into a coherent theoretical framework. Arguing that any fruitful scientific approach to the problem must consider both the subjective psychological reality of consciousness and the objective neurobiological reality, Revonsuo proposes that the best strategy for discovering the connection between these two realities is one of "biological realism," using tools of the empirical biological sciences. This approach, which he calls the "biological research program," provides a theoretical and philosophical foundation that contemporary study of consciousness lacks.

Revonsuo coins the term "world simulation metaphor" and uses this metaphor to develop a powerful way of thinking about consciousness as a biological system in the brain. This leads him to propose that the dreaming brain and visual consciousness are ideal model systems for empirical consciousness research. He offers a comprehensive overview and critical analysis of consciousness research and defends his approach against currently popular philosophical views, in particular against approaches that deny or externalize phenomenal consciousness, or claim that brain activity is not sufficient for consciousness. He systematically examines the principal issues in the science of consciousness—the contents of consciousness, the unity of consciousness and the binding problem, the explanatory gap and the neural correlates of consciousness, and the causal powers and function of consciousness.

Revonsuo draws together empirical data from a wide variety of sources, including dream research, brain imaging, neuropsychology, and evolutionary psychology, into the theoretical framework of the biological research program, thus pointing the way toward a unified biological science of consciousness. Applying imaginative thought experiments, Inner Presence reaches beyond the current state-of-the-art, revealing how the problem of consciousness may eventually be solved by future science.

  • Sales Rank: #2905875 in Books
  • Brand: Brand: The MIT Press
  • Published on: 2005-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 7.00" l, 2.15 pounds
  • Binding: Hardcover
  • 499 pages
Features
  • Used Book in Good Condition

Review
"The author offers a comprehensive and very readable review of the field of consciousness studies. Revonsuo argues for a causal role for phenomenology, claiming that 'subjective phenomenal consciousness is a real, natural biological phenomenon that literally resides within the confines of the brain.' He goes on to suggest ways to bridge the gap between the neural and the phenomenological levels in a style that makes his argument accessible to intelligent readers. By integrating the philosophy, psychology, and biology of consciousness, and by including dreaming consciousness within its purview, Inner Presence distinguishes itself from other fine books on the subject."
—David Kahn, Department of Psychiatry, Harvard Medical School

About the Author
Antti Revonsuo is Professor of Cognitive Science in the School of Humanities and Informatics at the University of Sk�vde, Sweden, and Director of the Consciousness Research Group in the Center for Cognitive Neuroscience at the University of Turku, Finland.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Good
By Carlos Camara
As someone who has followed consciousness studies for over a decade now, I ave begun to feel disapponted at how slowly progress has been made. Philosopher rarely change their ideas substantially (notable exceptions: Tye and Dennett), scientists cannot escape sticking to neural correlates and workspace theory, physicists mantain quantum theory is of the essence, etc. Having said that, I allways loved reading Revonsuo, his papers and collections (He edited a nice book back in 1994, if my memory does not fail me). He has a no nonsense approach, and in many ways his consciousness as virtual-reality model is very intuitively appealing. In this book he tris to compress his ideas into a full-lenght book and succeeds. He knows the field and uses empiric evidence with skill in order to support his more speculative ideas. He is clearly a naturalist, representationalist, and (maybe) reductionist, which is not uncommon, but still difficult to defend. There are a couple of chapters in the book 17 and 18 I believe, where the "level" or "structure" of conscisouness in the brain is discussed, which cannot be missed by anyone interested in the topic. This is as good as a neuroreductive explanation of consciousness can get. The final chapters on zombies and the function of consicousness are well argued. Of course, as any other book written by a scientist, philosophers will have a field day showing how his arguments fail for seome reason or other, either because of conceivability, supervenience, entailment, something Kim or Kripke said, but this should never prevent the biological realist in reading and appreciating a nice framework like what Revonsuo has elaborated for us. This is amust for consciousness-freaks,, especially for those of us who believe it can be explained in cognitive neuroscience terms.

0 of 1 people found the following review helpful.
very good!!
By Iara Suassuna
Very, very good!!!

0 of 3 people found the following review helpful.
Brilliant but...
By Chares G. Muhle
Brilliant, but way too brilliant to be absorbed by an ordinary mind. A complex subject needs to be summarized and simplified to connect with ordinary, interested readers.

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