[W352.Ebook] Download Ebook Modern Art, Revised and Updated (3rd Edition), by Sam Hunter Professor Emeritus, John Jacobus, Daniel Wheeler

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Modern Art, Revised and Updated (3rd Edition), by Sam Hunter Professor Emeritus, John Jacobus, Daniel Wheeler

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Richly illustrated and clearly focused, this book surveys the genesis, development, and culmination of modern European/American painting, sculpture, architecture, and conceptual art—from Post-Impressionism through the most recent developments in the 1990s. It avoids the typical encyclopedic approach of surveys in favor of examining selected but highly representative works in greater depth and from an enlarged spectrum of critical discourse. Organized along chronological lines, topics explore the ideas, forms, events, artists, and works—with each chapter devoted to a style, movement, or decade—from Cézanne, Seurat, Gauguin, and Van Gogh through Minimalism and the general reaction known as Post-Modernism. Ideal for readers with a general interest in art.

• Sales Rank: #375375 in Books
• Brand: Example Product Brand
• Published on: 2004-08-30
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.40" h x 1.00" w x 8.70" l, 4.11 pounds
• Binding: Paperback
• 480 pages

About the Author

SAM HUNTER is Emeritus Professor of art history at Princeton University, where he taught for twenty-two years. He is also a leading critic of modern and contemporary art, as well as the author of numerous publications, among them Modern French Painting, Modern American Painting and Sculpture, and monographs on Arnaldo Pomodoro, Isamu Noguchi, Marino Marini, Larry Rivers, George Segal, Alex Katz, and Tom Wesselman. An active curator, he has organized more than fifty exhibitions of contemporary art, for which he wrote museum and gallery catalogues. Prior to his appointment at Princeton, Sam Hunter served, successively, as director of the Minneapolis Institute of Art, the Rose Art Museum at Brandeis University, and the Jewish Museum in New York.

JOHN JACOBUS is Professor of Art and Urban Studies at Dartmouth College. Previously he taught at Princeton, the University of California (Berkeley), Smith College, and Indiana University. His publications include 20th-Century Architecture: The Middle Years, books on the architects Philip Johnson and James Stirling, a monograph on Henri Matisse, and, in collaboration with Sam Hunter, American Art of the 20th Century.

DANIEL WHEELER, a longtime editor and translator of art books, is the author of a monograph on the Swiss painter Caspar Wolfe and several landmark publications, including Chateaux of France, The Grand Canal, and Art Since Mid-Century: 1945 to the Present. He also prepared the text for the third edition of H. H. Arnason's History of Modern Art.

Excerpt. © Reprinted by permission. All rights reserved.
Preface and Acknowledgments

Not long ago a well-established, well-educated man declared that he had known nothing of the world—the world of astute or the world of culture-until he took up the study of art history. Through this new-found avocation he not only discovered some of the most resplendent of human creations, but, through them; he also became aware as never before of the vast multiplicity of human experience—its social as well as aesthetic conventions, its politics and economics, its religions, sciences, ideologies, and ethics, its triumphs and tragic failures. Moreover, he encountered them at the highest level of discourse, for that is where art at its best finds its voice and speaks to us, stimulating the mind and spirit and giving pleasure as few other experiences can. It is pleasure on this scale that we have wanted to afford in Modern Art, a book that for more than twenty-five years has provided many thousands of college students and generally interested readers with their first well-rounded engagement with what we know as modern art. If that first experience can be made satisfying in the way described above, surely it will last forever, enhancing life at all its stages and making the world a more habitable and generous place.

Art becomes meaningful because it has the power to express important things that would in all likelihood remain unstated, or stated in less coherent or moving ways, in any other language. And this power is borne out by the fact that so many of the greatest achievements in modern art survived to triumph over the critical and popular hostility that greeted their first appearance. Clearly, great art can stand alone and speak directly to the perceptive viewer, regardless of how we or other writers may explicate it. Yet, like so many of the finest things in life, art for those who have been enriched by it constitutes an acquired taste, as worth cultivating, through an exchange of ideas, as fluency and freshness in verbal address. As the painter Willem de Kooning said a full half-century ago: "There's no way of looking at a work of art by itself: it's not self-evident—it needs a history, it needs a lot of talking about; it's part of a whole man's life."

By modern art we mean the visual arts—painting, sculpture, architecture, and, new to this edition, photography—created during the last two hundred years, primarily in Europe and the Americas. For the sake of greater effectiveness in our presentation of so vast a subject, we have avoided the encyclopedic approach often adopted for broad, chronological surveys of this sort, the better to examine selected but highly representative works in greater depth and from an enlarged spectrum of critical discourse. The rise of penetrating critique with claims to artistic status in its own right—a phenomenon especially notable during the last quarter-century—virtually demands such an approach. Thus, we have also been as much concerned with recent developments and their complex, motivating theories as with the far more familiar ones of classic modernism and now classic late modernism.

The former, of course, began with Manet and the Impressionists and continued on through Post-Impressionism, Fauvism, Expressionism, Cubism, Dada, and Surrealism, all of which climaxed in the international postwar surge of creativity generally known as late modernism. Ignited by high-energy Abstract Expressionism, the late-modern experience finally attained its own apogee in those twinned polarities of the "impure" and the "pure": Pop Art and Minimalism. Once Minimalism, in the late 1960s, appeared to bring the entire modernist project to a close—minimalizing the material until it became immaterial Conceptualism-the post-modern reaction set in, its love/hate challenges to everything that went before so copious and commanding that we have made them the principal focus of our work in the present edition of Modern Art. This, in turn, has encouraged us to take greater account of the growing preference for camera-based art, a preference so widely embraced, and long acknowledged in Modern Art, that we have decided, in this edition, to trace the history of photography back to its sources in the early 19th century and weave that narrative into our story of the so-called "traditional" media associated with painting, sculpture, and architecture.

Even with these improvements, our mode of address remains the same, which is to see art works as striking individual achievements realized within a broader context of history, geography, and culture. For this reason, Chapter 1 has been rewritten, now in the light of the momentous invention of photography, which would change everything in the world of visual expression, beginning right away in 1839. And the force of that development continues unabated, as we demonstrate in Chapter 24, this-time expanded to embrace a number of salient new artists and ideas that have come to the fore in the early years of the 21 st century.

Not only are there dozens of new illustrations; there are as well dozens of older works, throughout the book, that have been converted from black-and-white reproduction to color or simply remade in the interest of higher quality. Consistent with the urge to upgrade and amplify, our publishers have also redesigned the chapter openings, added a second color to the text, and introduced a portfolio of supplemental illustrations, all in color, throughout the sixteen pages of the front matter, thereby bringing visual excitement to a kind of literary no-man's-land usually given over to bare-bones data. And just as the front matter has been reconsidered, so too has the back matter, not only with an updated bibliography but also with a trio of new features: a glossary, a chronology, and a brief appendix on the avant-garde, that cultural phenomenon so fundamental to modernism.

The division of labor in this enterprise was such that our associate John Jacobus prepared the text for Chapters 6, 13, and 21, while the\first of the undersigned continued to be the principal author of Chapters 2 through 5, 7 through 12, and 14 through 20, considerably aided, in content as well as in form, by the second author signing below in the execution of Chapters 2, 5, 7 through 10, 16, 17, and 19. However, for Chapters 1 and 22 through 25, it was Daniel Wheeler alone who prepared the text. But many others, in addition to those listed on page 2, have made contributions without which the book would not have been possible or worthwhile. For the present volume, we are particularly grateful to the classroom teachers—art historians all—who critiqued the 2000 edition and made welcome recommendations for improvement: Professors David Brody, West Chester University; Elizabeth Childs, Washington University; James Housefield, Texas State University; Joseph M. Hutchinson, Texas A&M University; Carol Solomon Kiefer, University of Massachusetts, Amherst; Linda Dugan Partridge, Marywood University; Aaron Sheon, University of Pittsburgh; Janice Simon, University of Georgia; Tim Smith, Lindsey Wilson College; and Shelley C. Stone, California State University, Bakersfield.

Earlier, Dr. Charles Stuckey, Professor John Hunisak of Middlebury College, Professor Noelle Frackman of the State University of New York, Purchase, and Patricia Sands of the Pratt Institute, Brooklyn, did critical readings of various portions of the text and offered countless valuable suggestions for their betterment. A similar service was provided by Phyllis Freeman and Julia Moore, editors at Harry N. Abrams, Inc. Dr. Ruth Kaufmann generously shared with us her vast, working knowledge of the current art scene, while Dr. Sabine Rewald of the Metropolitan Museum dipped into her personal archive of Balthus illustrations for the wonderful picture we have in Figure 525. Without the aid of Dr. Madeleine Fidell-Beaufort, professor of art history at, the American University in Paris, we would never have been able to acquire quite so many images from the state museums in Moscow and St. Petersburg.

As for illustrations, we looked with total dependence to such major cultural institutions as the Museum of Modern Art, the Solomon R. Guggenheim Museum, and the Whitney Museum of American Art, all in New York and all generously responsive to our many calls for help. On more than one occasion Anita Duquette, archivist at the Whitney, proved to be a true savior. Also supportive of our efforts were the Tate Gallery in London, the Stedelijk in Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Art Institute of Chicago, the Los Angeles County Museum of Art, the Museum of Contemporary Art in Los Angeles, and the Carnegie Museum in Pittsburgh. Then, too, there were the many commercial galleries—all cited in the captions whose archivists tolerated our endless requests, for images and information, with unfailing grace.

Meanwhile, none of these things would have been feasible without the faith and support of our publishers, in the persons of Alexis Gregory and Mark Magowan of the Vendome Press and Margaret Kaplan, Michael Loeb, and Julia Moore, formerly of Harry N. Abrams, and, at Prentice-Hall, Bud Therien, Sarah Touborg, and Charlyce Jones-Owen. Nor would the book have come into respectable being without the able assistance of Diana Benusiglio, Rosi Chirico, Anna Maria Mascheroni, Vittoria Scaramuzza, and Pietro Bellochio, all of whom worked on earlier editions printed in Milan. For this edition we are especially grateful to Isabel Venero, Sarah Davis, Julia Moore, Cynthia Henthorn, and Peter Rooney, who concerned themselves variously with editorial management, image procurement, the chronology, proofreading, and the index. To one and all we offer our warmest thanks.

SAM HUNTER
DANIEL WHEELER
MAY 2004

Most helpful customer reviews

1 of 1 people found the following review helpful.
The most beautiful useless Art History text I have ever owned
By Ms. Sarah K. Egan
The physical book, while a cheap feeling paperback, has absolutely stunning high quality images inside, some of the best reproductions I have ever seen in any art history text book; on par with a high end gallery catalogues actually. I really disliked the content of the book but was tempted to keep my copy simply because of the imagery, so if you are looking for a "show book" to take out as a pictorial reference/conversation starter then this book is fine. If you want to learn anything on the other hand I would recommend buying another book. The written content in this book is, for the most part, pompous and overly complicated and will have even the most astute reading passages two or three times to extract the actual information from the twisted web of flowery language and unnecessary words. The passages in this book are anything but concise, which is a pity because there really is a lot of good information in this book and many ideas that would be very intriguing if they were only more accessible. In fact, there were a few very good points in several discussions that were mentioned and then glossed over because the writer was clearly more concerned with "sounding" intelligent than actually discussing the movement at hand, which prompted me to go to another book to find out the rest of the story. To be fair, the themes and information contained in this text is not "simple" or clear cut by nature, it is after all still a Modern Art text, and will require a certain level of interest and thought to fully comprehend no matter how it is written, but there is a difference between thoughtfully illustrating a subject and convoluting a subject with non-value added verbiage. For a student just getting started with Modern Art, this book will be utterly useless and you will find yourself unnecessarily lost without a proper instructor. Even for someone who is accustomed to reading theoretical art books and familiar with all of the information presented in this text (like me), this book will be a great frustration, as you constantly find yourself turning to other references to get a clearer picture of basic facts or complete an idea haphazardly introduced in this text.

0 of 0 people found the following review helpful.
It's a terrible choice. If you need to take a Modern ...
By Amazon Customer
This is definitely not a book for a beginning survey class. i literally never used it in my class, even though my teacher suggested it, and I passed the class with an A+. I cannot believe how atrociously written this book is. The language is inflated, flamboyant even. I read the first chapter of it when I began the semester and immediately knew it was going to collect dust in the corner of my room. It's a terrible choice. If you need to take a Modern art class and this is the book you need to get, please save yourself some money and RENT it, do not spend nearly 200 dollars. If I could tell myself this in the beginning of the semester, I would not have even rented it. It is such a joke and difficult to read. You're better of studying from the Internet on sites like Wikipedia or even YouTube. I recommend Smarthistory, they do an excellent job of going in depth on certain pieces while maintaining concise, clear language. steer clear from this book, it won't help you pass, it will only further confuse you. If I could rate 0 stars I would.

1 of 1 people found the following review helpful.
horrible
By PhiladelphiaPa
If you have to use this book for your Modern Art course you should change classes or ask your professor if this book is really needed. You will gain nothing from this disorganized collection of thoughts. I would recommend that you research the artists online. A great resource is called The Art Story. Much more organized and much more informative.

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Modern Art, Revised and Updated (3rd Edition), by Sam Hunter Professor Emeritus, John Jacobus, Daniel Wheeler PDF

[K937.Ebook] Download PDF R in Action: Data Analysis and Graphics with R, by Robert Kabacoff

Download PDF R in Action: Data Analysis and Graphics with R, by Robert Kabacoff

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R in Action: Data Analysis and Graphics with R, by Robert Kabacoff

Download PDF R in Action: Data Analysis and Graphics with R, by Robert Kabacoff

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Summary

R in Action, Second Edition presents both the R language and the examples that make it so useful for business developers. Focusing on practical solutions, the book offers a crash course in statistics and covers elegant methods for dealing with messy and incomplete data that are difficult to analyze using traditional methods. You'll also master R's extensive graphical capabilities for exploring and presenting data visually. And this expanded second edition includes new chapters on time series analysis, cluster analysis, and classification methodologies, including decision trees, random forests, and support vector machines.

Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications.

About the Technology

Business pros and researchers thrive on data, and R speaks the language of data analysis. R is a powerful programming language for statistical computing. Unlike general-purpose tools, R provides thousands of modules for solving just about any data-crunching or presentation challenge you're likely to face. R runs on all important platforms and is used by thousands of major corporations and institutions worldwide.

About the Book

R in Action, Second Edition teaches you how to use the R language by presenting examples relevant to scientific, technical, and business developers. Focusing on practical solutions, the book offers a crash course in statistics, including elegant methods for dealing with messy and incomplete data. You'll also master R's extensive graphical capabilities for exploring and presenting data visually. And this expanded second edition includes new chapters on forecasting, data mining, and dynamic report writing.

What's Inside

• Complete R language tutorial
• Using R to manage, analyze, and visualize data
• Techniques for debugging programs and creating packages
• OOP in R
• Over 160 graphs

About the Author

Dr. Rob Kabacoff is a seasoned researcher and teacher who specializes in data analysis. He also maintains the popular Quick-R website at statmethods.net.

Table of Contents

PART 1 GETTING STARTED

Introduction to R

Creating a dataset

Getting started with graphs

Basic data management

Advanced data management

PART 2 BASIC METHODS

Basic graphs

Basic statistics

PART 3 INTERMEDIATE METHODS

Regression

Analysis of variance

Power analysis

Intermediate graphs

Resampling statistics and bootstrapping

PART 4 ADVANCED METHODS

Generalized linear models

Principal components and factor analysis

Time series

Cluster analysis

Classification

Advanced methods for missing data

PART 5 EXPANDING YOUR SKILLS

Advanced graphics with ggplot2

Advanced programming

Creating a package

Creating dynamic reports

Advanced graphics with the lattice package available online only from manning.com/kabacoff2

• Sales Rank: #10803 in Books
• Published on: 2015-06-06
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.40" w x 7.30" l, .0 pounds
• Binding: Paperback
• 608 pages

About the Author

Dr. Rob Kabacoff is a seasoned researcher and teacher who specializes in data analysis. He also maintains the popular Quick-R website at statmethods.net.

Most helpful customer reviews

35 of 37 people found the following review helpful.
Reliably solid
By Dimitri Shvorob
Back in 2011, I was an early enthusiast of "R in Action"'s first edition, praising the book as the only high-quality product in a growing field of R introductions rushing to market. (In the parallel universe of statistics-with-R books, "The R Book" by Crowley - now also in its second edition - reigned). In 2014, I revised my review, and reiterated my endorsement, but noted "R for Everyone" by Jared Lander as an appealing, "fresh" upstart rival. At that time, second edition of "R in Action" was already listed on Amazon as available for pre-order, but the release date kept being postponed. Having pre-ordered "R in Action" 2.0 in May 2014, I only got it in June 2015.

The changes from the first edition are helpfully summarized on page xxvii, but I will distinguish five strands. First, there is a nod to the computer-science (vs. "proper" statistics) sensibility, via addition of a chapter on clustering and another chapter on classification, discussing CART and SVM methods. Second, two new chapters deal with R as a programming language, with one chapter dedicated to package-building. Third, there is a new chapter on producing reports, focusing on, but not limited to, the capability of "rmarkdown" R package. Fourth, second edition boosts coverage of "ggplot2" package. Finally, statistics repertoire is expanded with a short chapter on (very basic) time-series analysis, relying on "forecast" R package.

I may have wished for a few different choices. The package-building chapter could have been dropped, and more space given to either statistics (one could say more about regression - maybe taking a page from "Modern Regression Techniques Using R" by Wright and London) or machine learning. I would introduce RStudio from the outset, not in an appendix. I would say goodbye to R's base graphics, and, like Lander, embrace "ggplot2", instead of relegating it to Chapter 19. I would give space to "data.table" - like "ggplot2", this is a necessity - and I would give more space to "plyr"-and-friends. Turning to Manning, I would ask them why Addison Wesley could publish "R for Everyone" in color, and still charge only 60% of the price of the black-and-white "R in Action". I would also draw their attention to a typo ("Stark Trek"?) in line 5 (!) of the book's preface. This slip-up is odd considering how long the book was delayed.

This criticism aside, "R in Action" is an excellent, well-thought-out and well-presented book, with second edition offering incremental but important changes from the first. In the field of "generalist" R books, two titles stand out - "R in Action" and "R for Everyone" - and "R in Action" is the heavier part of the duo.

UPD. With the benefit of a little more life experience, I would say: don't spend your time on *any* R book. Python is the way to go.

14 of 14 people found the following review helpful.
More than 200 pages of new materials have been added in this updated edition
By Si Dunn
Whether data analysis is your field, your current major or your next career-change ambition, you likely need this book. Free and open source R is one of the world's most popular languages for data analysis and visualization. And Robert I. Kabacoff's updated new edition is, in my opinion, one of the top books out there for getting a handle on R. (I have used and previously reviewed several R how-to books.)

R is relatively easy to install on Windows, Mac OS X and Linux machines. But it is generally considered difficult to learn. Much of that is because of its rich abundance of features and packages, as well as its ability to create many types of graphs. "The base installation," Kabacoff writes, "provides hundreds of data-management, statistical, and graphical functions out of the box. But some of its most powerful features come from the thousands of extensions (packages) provided by contributing authors."

Kabacoff concedes: "It can be hard for new users to get a handle on what R is and what it can do." And: "Even the most experienced R user is surprised to learn about features they were unaware of."

R in Action, Second Edition, contains more than 200 pages of new material. And it is nicely structured to meet the needs of R beginners, as well as those of us who have some experience and want to gain more.

The book (579 pages in print format) is divided into five major parts. The first part, "Getting Started," takes the beginner from an installing and trying R to creating data sets, working with graphs, and managing data. Part 2, "Basic Methods,"focuses on graphical and statistical techniques for obtaining basic information about data." Part 3, "Intermediate Methods," moves the reader well beyond "describing the relationship between two variables." It introduces regression, analysis of variance, power analysis, intermediate graphs, and resampling statistics and bootstrapping. Part 4 presents "Advanced Methods," including generalized linear models, principal components and factor analysis, time series, cluster analysis, classification, and advanced methods for missing data. Part 5, meanwhile, offers how-to information for "Expanding Your Skills." The topics include: advanced graphics with ggplot2, advanced programming, creating a package, creating dynamic reports, and developing advanced graphics with the lattice program.

A key strength of R in Action is Kabacoff's use of generally short code examples to illustrate many of the ways that data can be entered, manipulated, analyzed and displayed in graphical form.

The first thing I did, however, was start at the very back of the book, Appendix G, and upgrade my existing version of R and its packages to version 3.2.1, "World-Famous Astronaut." The upgrade instructions could have been a little bit clearer, but after hitting a couple of unmentioned prompts and changing a couple of wrong choices, the process turned out to be quick and smooth.

Then I started reading chapters and keying in some of the code examples. I had not used R much recently, so it was fun again to enter some commands and numbers and have nicely formatted graphs suddenly pop open on the screen. Even better, it is nice to have a LOT of new stuff to learn, with a well-written, well-illustrated guidebook in hand.

(My thanks to Manning for sending a review copy.)

4 of 4 people found the following review helpful.
Really, really useful book
By Kat
Fantastic explanations and a logical lay-out (you do need to clean the data and understand how the language works before you leap into analysis... too many other books skip that!)

If you are new to the language, this is definitely the book you want to start with. And if you're already using R, this is still a great book because it contains lots of information on a variety of useful topics - this is still my preferred go-to reference for all R questions!

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R in Action: Data Analysis and Graphics with R, by Robert Kabacoff PDF

R in Action: Data Analysis and Graphics with R, by Robert Kabacoff PDF

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Want To Be A Successful Producer?
What's the secret to success with electronic music production? How do you go from bedroom producer to legitimate, touring DJ? It begins with your "mindset", not the techniques or methods everyone raves about. As you probably know, the barrier to entry for making electronic music is practically non-existent these days. That's why success can only come from you, not the plugins or DAW you use. While knowing how to use your tools is important, it's about the drive within that will take you to the next level.

In "The Producer's Mindset", you'll learn what myself and others have done to achieve success and get noticed. You will not find any get rich quick ideas. Nor will you find any ways to experience immediate fame and success. What you WILL learn is how to make sure you aren't limiting yourself and your success.
CREATE The Right Environment In Your Mind And Success Will Follow...
Have you started on a song and not finished it? Many aspiring musicians dream about cranking new tracks out, but they don’t finish their songs. The truth is this: Great producers hone their skills, they practice regularly, and they finish tracks. Not only do they make time to practice what they love, they also follow specific routines that help them focus and avoid getting distracted.

The simple fact is that by implementing certain "principles" into your musical life, you'll no doubt increase your productivity. By striving to live up to certain ideas, you can accomplish much more and progress quicker.

The producers who succeed with their music make moves and walk right through failure. Moreover, they know that creative spurts aren't a constant, so they adapt to creative "dry spells".

The good news is it's not hard to improve from where you currently are. If you learn how to embrace your strengths and you continually push yourself, you will continue to move upward.
LEARN The Best Strategies For Thinking Like A Successful Producer
"The Producer's Mindset" details a variety of ideas that will increase your productivity and get you through mental tough spots.

Inside this book you'll discover:

• What Being A Producer Actually Means


• How To Set Yourself Up For Success By Creating A Productive Environment


• How To Push Past Some Common Negative Beliefs


• How To Minimize Distractions And Interruptions


• Ways To Find The Time To Compose - Even If You Have A Full-Time Job


• Why Habits Will Bring Success


• How Expectations Can Kill Your Music


• Why Goals Will Help You Grow


• Ways To Track Your Progress


• A Belief System That Is Designed For Success In The Long Run

It's definitely possible to crank out finished songs, sign them to labels, and start getting gigs. However, the solution is counter-intuitive. Change your mindset and the rest will follow.

Download now and take your producing to the next level. To get started, hit the buy button at the top of the page.

• Sales Rank: #59966 in eBooks
• Published on: 2015-08-02
• Released on: 2015-08-02
• Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
General but good reminders
By Amazon Customer
Not very specific but helpful to brush off negativity. Could possibly provide more exercises as creative solutions to composing and writing

1 of 1 people found the following review helpful.
Truth to the title.
By Greenhouse
This is not a book on technical writing of music but it is a great one for your mindset. This is written for music production but can the information given can be used for than music. It is just what I needed to hear and I think it will help me take my music making to the next level

0 of 0 people found the following review helpful.
Five Stars
By R.
A good read and a nice boost to encourage me to get back in the studio. Thank you.

See all 6 customer reviews...

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[N737.Ebook] Ebook Free How To Be a Professional Gamer: An eSports Guide to League of Legends, by Fnatic

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It’s time to become a Legend.

Watched by millions and contested by the best professional gamers in the world, League of Legends is more than a game.

Since the very beginnning of eSports, Fnatic have been competing at the highest level. In 2011, they won the World Championships and in 2015 they achieved the impossible: an entire regular season undefeated. In How to be a Professional Gamer, they take you inside the elite world of the sport, and into the world of competitive gaming. Sharing their knowledge, expertise, and strategies, it’s only a matter of time before you’re a world champion, too.

Including tips on game strategy, teamwork and mental strength, How to be a Professional Gamer is both a guide for how to improve as a regular gamer, and the story of Fnatic and how they’ve conquered the world of eSports.

Are you ready?

• Sales Rank: #5706331 in Books
• Published on: 2017-07-25
• Released on: 2017-07-25
• Format: International Edition
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .79" w x 6.10" l, 1.06 pounds
• Binding: Paperback
• 256 pages

Review
"Fnatic is always one of the most entertaining teams to watch in the entire League of Legends pro circuit" Games TM "One of the world's top competitors" ESPN "The biggest eSports franchise in Europe" The Daily Dot "Fnatic are the Real Madrid of gaming" BBC "Fnatic are all-time greats" ABC News

About the Author
Around the world Fnatic stands as a heavyweight in the world of eSports. With professional teams in the most popular games, they have dominated the sport. In 2011, they won the League of Legends World Championships. In both 2006 and 2009, Fnatic were awarded Team of the Year.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Two Stars
By H.M
garbage

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[Y733.Ebook] Free PDF The Hawk Is Dying, by Harry Crews

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First Edition. There is water damage on the back of the dust jacket, both inside and outside, the pages are clean, there is a small amount of water damage showing on the back cover of the book. It appears that this book has never been read.

• Sales Rank: #1701102 in Books
• Published on: 1973
• Number of items: 1
• Binding: Hardcover
• 226 pages

Most helpful customer reviews

13 of 13 people found the following review helpful.
What a shame to be OOP
By Jason Long
I'll be brief. This amazing gem of a novel has gone relatively undiscovered for far too long. As is typical with much of Crews' writing, the characters are harsh but endearing, the landscapes bleak but strangely familiar, and the wordplay grim but hopeful. It's tragic that the only place one might find this is tucked away in an old library (or here for a ridiculous price). Check out a copy, or borrow one, but read this book! And, for the love of all that is good and sacred, skip the awful film version that slaughtered everything amazing about the novel.

0 of 0 people found the following review helpful.
One of Crews' best
By Matthew Snope
One of Crews' rarer books, fluidly and impressively written, about grieving, death, change, obsession, individuality, and what it is to be human. I was very moved by this story, and know that it must have been cathartic and hopefully helpful to Crews to write, as the loss of his firstborn young son in a tragic drowning accident inspired the story. This is a great novel for anyone, but perhaps especially so to those interested in gritty Southern literature, hawks and falcons, death and grieving, Gainesville Florida, and the ways in which family and society try to make individuals conform. Highly recommended. The film adaptation is worthwhile and overall quite true to the novel, but make sure you read the novel as well. I miss Mr. Crews. This particular book is harder to find than his others, but very worth it.

3 of 11 people found the following review helpful.
Hawk
By D. H. Roberts
Anyone who's lived in, or lived near Gainesville FL, knows of Paines Prairie. It's a spot on the earth that tells you what it's about. Mr. Crews wisely uses the prairie as a backdrop/character and goes from there. Read it!

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[L279.Ebook] PDF Ebook Digital Apollo: Human and Machine in Spaceflight, by David A. Mindell

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As Apollo 11's Lunar Module descended toward the moon under automatic control, a program alarm in the guidance computer's software nearly caused a mission abort. Neil Armstrong responded by switching off the automatic mode and taking direct control. He stopped monitoring the computer and began flying the spacecraft, relying on skill to land it and earning praise for a triumph of human over machine. In Digital Apollo, engineer-historian David Mindell takes this famous moment as a starting point for an exploration of the relationship between humans and computers in the Apollo program. In each of the six Apollo landings, the astronaut in command seized control from the computer and landed with his hand on the stick. Mindell recounts the story of astronauts' desire to control their spacecraft in parallel with the history of the Apollo Guidance Computer. From the early days of aviation through the birth of spaceflight, test pilots and astronauts sought to be more than "spam in a can" despite the automatic controls, digital computers, and software developed by engineers.

Digital Apollo examines the design and execution of each of the six Apollo moon landings, drawing on transcripts and data telemetry from the flights, astronaut interviews, and NASA's extensive archives. Mindell's exploration of how human pilots and automated systems worked together to achieve the ultimate in flight -- a lunar landing -- traces and reframes the debate over the future of humans and automation in space. The results have implications for any venture in which human roles seem threatened by automated systems, whether it is the work at our desktops or the future of exploration.

• Sales Rank: #158429 in Books
• Published on: 2008-04-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 7.00" l, 1.96 pounds
• Binding: Hardcover
• 376 pages

Review

[A] wealth of research that even the most informed space fans can enjoy. Mindell avoids the temptation to glorify the space program, instead dealing with the nitty gritty logistics involved in getting a man to the moon. Digital Apollo succeeds in providing an inside track to one of the most difficult technological challenges of the 20th century.

(James Thorne coolhunting.com)

Mindell joyfully plumbs the deep history of Apollo's decade-long clash between the MIT eggheads who built the computers and the thrill-jockey military test pilots who used them.

(IEEE Spectrum)

Digital Apollo is an excellent and unique historical account of the lengthy, and often pitched struggle of designers, engineers, and pilots to successfully integrate man and complex computer systems for the Apollo lunar landings. It brings back fond memories.

(Edgar Mitchell, Sc.D.; Captain, USN (retired) Lunar Module Pilot, Apollo 14)

Mindell's well-written book deals with a terribly important and often overlooked aspect of space age technology. Commentators often present space exploration in the form of a two-sided debate, where advocates of robotics confront advocates of human flight. As Mindell adroitly demonstrates, the engineers who designed the spacecraft that actually flew to the Moon created by necessity a third position, fashioning a practical solution that stood in between the astronaut as automaton and the astronaut as a pilot fully in control. This is a 'must read' book for anyone seriously interested in understanding how space flight really works.

(Howard E. McCurdy, author of Faster, Better, Cheaper)

David Mindell's very important and accessible book precisely dissects Apollo history, proving Apollo a harbinger of our current digital era.

(Charles Simonyi, President and CEO, Intentional Software, and Participant, Soyuz TMA-10 Mission to the International Space Station, April 2007)

Digital Apollo takes the reader on a wild ride following the impact of the increasingly complex world of data processing, control, and display on space flight. The book traces the evolution of man's role aboard high speed aircraft, the hybrid X-15, and ultimately space flight, and the lunar landing. This book is fascinating history and an important resource for future space explorers.

(Robert C. Seamans, Jr., Former Deputy Administrator, NASA)

The book is a refreshing reminder that it is still possible to uncover new stories about the early years of the American space program.

(Dwayne A. Day Air & Space)

Review

"[A] wealth of research that even the most informed space fans can enjoy. Mindell avoids the temptation to glorify the space program, instead dealing with the nitty gritty logistics involved in getting a man to the moon. Digital Apollo succeeds in providing an inside track to one of the most difficult technological challenges of the 20th century." -- coolhunting.com

" Digital Apollo succeeds in providing an inside track to one of the most difficult technological challenges of the 20th century." -- James Thorne, Cool Hunting

"Mindell joyfully plumbs the deep history of Apollo's decade-long clash between the MIT eggheads who built the computers and the thrill-jockey military test pilots who used them." IEEE Spectrum

" Digital Apollo is an excellent and unique historical account of the lengthy, and often pitched struggle of designers, engineers, and pilots to successfully integrate man and complex computer systems for the Apollo lunar landings. It brings back fond memories." -- Edgar Mitchell, Sc.D.;Captain, USN(retired) Lunar Module Pilot, Apollo 14

(Edgar Mitchell )

"Mindell's well-written book deals with a terribly important and often overlooked aspect of space age technology. Commentators often present space exploration in the form of a two-sided debate, where advocates of robotics confront advocates of human flight. As Mindell adroitly demonstrates, the engineers who designed the spacecraft that actually flew to the Moon created by necessity a third position, fashioning a practical solution that stood in between the astronaut as automaton and the astronaut as a pilot fully in control. This is a 'must read' book for anyone seriously interested in understanding how space flight really works." -- Howard E. McCurdy, author of Faster, Better, Cheaper

(Howard E. McCurdy )

"David Mindell's very important and accessible book precisely dissects Apollo history, proving Apollo a harbinger of our current digital era." -- Charles Simonyi, President and CEO, Intentional Software, and Participant, Soyuz TMA-10 Mission to the International Space Station, April 2007

(Charles Simonyi )

" Digital Apollo takes the reader on a wild ride following the impact of the increasingly complex world of data processing, control, and display on space flight. The book traces the evolution of man's role aboard high speed aircraft, the hybrid X-15, and ultimately space flight, and the lunar landing. This book is fascinating history and an important resource for future space explorers." -- Robert C. Seamans, Jr., Former Deputy Administrator, NASA

(Bob Seamans )

"David Mindell's very important and accessible book precisely dissects Apollo history, proving Apollo a harbinger of our current digital era." Charles Simonyi , President and CEO, Intentional Software, and participant, Soyuz TMA-10 Mission to the International Space Station, April 2007

" Digital Apollo is an excellent and unique historical account of the lengthy and often pitched struggle of designers, engineers, and pilots to successfully integrate man and complex computer systems for the Apollo lunar landings. It brings back fond memories." Edgar Mitchell , Sc.D.; Captain, USN (retired) Lunar Module Pilot, Apollo 14

" Digital Apollo takes the reader on a wild ride following the impact of the increasingly complex world of data processing, control, and display on space flight. The book traces the evolution of man"s role aboard high speed aircraft, the hybrid X-15, and ultimately space flight and the lunar landing. This book is fascinating history and an important resource for future space explorers." Robert C. Seamans, Jr. , Former Deputy Administrator, NASA

"Mindell's well-written book deals with a terribly important and often overlooked aspect of space age technology. Commentators often present space exploration in the form of a two-sided debate, where advocates of robotics confront advocates of human flight. As Mindell adroitly demonstrates, the engineers who designed the spacecraft that actually flew to the moon created by necessity a third position, fashioning a practical solution that stood in between the astronaut as automaton and the astronaut as a pilot fully in control. This is a 'must read' book for anyone seriously interested in understanding how space flight really works." Howard E. McCurdy , author of Faster, Better, Cheaper

About the Author

David A. Mindell is Dibner Professor of the History of Engineering and Manufacturing, Professor of Engineering Systems, and Director of the Program in Science, Technology, and Society at MIT. He is the author of Between Human and Machine: Feedback, Control, and Computing before Cybernetics and War, Technology, and Experience aboard the USS Monitor.

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5 of 5 people found the following review helpful.
Much More Than the Title Implies
By Terry Sunday
You might think a book entitled "Digital Apollo" would be about the development, programming and operation of the digital computers in the Apollo Command (CM) and Lunar (LM) Modules. You would be partially right. About half of Dr. David Mindell's superb volume covers those subjects, very readably and in great detail. But the book's scope is far broader than that. It is really nothing less than a comprehensive examination of the relationships between humans and machines from the earliest days of aviation, through the X-15, Mercury, Gemini, Apollo and Space Shuttle eras, and into the future of spaceflight.

It's a fascinating story that has not, to my knowledge, previously been told in any depth. The evolution of the Apollo computer hardware and software occurred in parallel with the evolution of the attitudes of steely eyed NASA astronauts, who fought hard to avoid relinquishing any control to machines. All the early astronauts were test pilots--their hard-won experiences with primitive vacuum-tube systems in aircraft had convinced them that "electronics always fail." Thus they opposed NASA's decision, mandated by the complexity of lunar missions, to depend largely on new-fangled transistorized digital computers to help them fly the Apollo spacecraft. At one time, in those days before "fly-by-wire" control systems, some Apollo astronauts wanted actual cables connecting a conventional aircraft-type stick with the CM's attitude control rocket motors. That didn't happen. They feared that computer failures would jeopardize their missions and perhaps cost them their lives. That also didn't happen. To find out what DID happen, there's no better source than "Digital Apollo."

Dr. Mindell says his book "...tells the story of the relationship between human and machine in the Apollo project and how that relationship shaped the experience and the technology of flying to the moon. It is a story of human pilots, of automated systems, and of the two working together to achieve the ultimate in flight. It is also a story of public imagery, professional identities and social relationships among engineers, pilots, flight controllers and many others, each with their own visions of spaceflight." That's a good summary, but I'd like to add to it. First, words like "social relationships" and "working together" and "visions" should not deter technophiles from reading "Digital Apollo." Those subjects are all in there, but much of the book is at the down-and-dirty technical level of bits and bytes and magnetic core memories and DSKYs and other esoterica. Dr. Mindell superbly integrates the human and computer stories in a way that almost anyone should find interesting. Second, "Digital Apollo" is one of the best-written spaceflight books I've read in years. Its tone is brisk and conversational, but the information it contains is deep, broad and very well-explained. You don't have to be a space cadet to enjoy it. It is also exceptionally accurate. I came across only a few minor errors in the parts of the story that I know, such as calling a metal alloy used in the X-15 "Iconel-X" rather than "Inconel-X" (the alloy and the name came from the International Nickel Company, hence "Inco").

"Digital Apollo" fills a niche in the history of technology and spaceflight in a most outstanding way. It reminds me a little of Tracy Kidder's "The Soul of A New Machine," and that is high praise indeed. Even if you think you know Apollo, you should read it. You're sure to learn a lot, and be entertained in the process. I recommend it most highly.

6 of 6 people found the following review helpful.
A Superior Account Of The Challenges Of The Man-Machine Interface In Apollo
By Robert I. Hedges
In "Digital Apollo" David Mindell has created a thoughtful and readable account of the design of the Apollo Guidance Computer (AGC), the software that allowed it to succeed, the history of its use, and the bigger picture issues of human factors and automation interface issues in complex systems in general. While I differ with him on some of his perspectives (I am a pilot, and tend to side with the "man in the loop" opinions held by the astronauts, most eloquently voiced by Neil Armstrong and Dave Scott), I found the entire book engrossing and his approach to complex human factors, ergonomic, and automation issues to be extraordinarily useful, especially to professionals in the field.

The book traces the history of the AGC, discusses its growth and capabilities, and its real world use. I was especially pleased with chapters nine and ten which dealt in detail with each of the six landings, differences between the landings, and differing attitudes held by the various astronauts about the computer and its functionality. I was pleased with the detailed coverage that Apollo 12 got, and the explanations of the increasing complexity of the "J missions" which took heavier LMs into much more difficult terrain much more steeply. Mindell gives the best explanation I have yet read (p. 205) of the use of the Landing Point Designator (LPD), and computer incorporation of landing radar returns and resulting Delta H data into final altitude solutions for the crew. As an aside, don't stop reading until the very end: the very last page (p. 361) contans an excellent explanation of the extremely well rendered cover illustration depicting the view from Armstrong's window at about 520 feet above the lurain.

The book is, like any endeavor of this scope, not perfect, with an occasional error or typo: most seem to be due to spell check artifacts not recognizing unusual word use. (The most obvious example is the discussion of the Apollo 1201 and 1202 program alarms on p. 222 which he refers to as "executive overload" instead of "executive overflow" alarms, even though he subsequently used the word overflow correctly in reference to these same events. Amusingly enough, the quote about the alarms from Norman Mailer doesn't really make sense if you read the word as "overload.") This is, of course, nitpicking, and I absolutely don't intend to take away from a brilliant career accomplishment.

The ideal reader for this book will care passionately about manned space flight, and will find Apollo especially worthy of in-depth study. The book does not require any previous knowledge of spaceflight, human factors, computer interface issues, or aviation, but will be slower going for someone with no background in those areas (though still worthwhile). It is not a technical book in the sense that only engineers, programmers, astronauts, or pilots can glean useful information from it, but it does touch on a variety of complex subjects. Fortunately Mindell is more than up to the task and makes learning about this fascinating subject highly rewarding. I recommend this book very highly.

1 of 1 people found the following review helpful.
This Book Provides the Detailed "Why" behind the Apollo System's Human/Computer Design - not just the "How".
By Stewart Teaze - Aerospace Systems Engineer
This book is too good to race through... I've been reading this book slowly over the last two months, and the technical content and details of the Apollo Program (with focus on the man and machine interactions) are outstanding.

I work on training flight simulators, and the background sections on the X-15 Program (and its simulators), which formed a basis for the Apollo mission planning, and human(pilot)-machine interface design, were especially interesting.

All throughout the book, the author provides the reasons WHY things were done the way they were, not just HOW they were done (which has been the case in all the other Apollo-related books I've read previously).

Additionally, significantly detailed explanations of all stages of the Apollo Guidance Computer(AGC) hardware and software development process are provided. I was especially impressed with the "real explanation" of the root cause of the famous 1201/1202 program alarms, which came close to causing Neal Armstrong and Buzz Aldrin to abort the Apollo 11 (first moon) landing due to (among other things) pilot work overload. The fact is that the software did not have to change for Apollo 12 to deal with the root cause of the alarms... it was the procedures that had to change to deal with the root cause of the alarms, which was due to overloading of the LM AGC, due to lack of a full understanding of the interaction of the rendezvous RADAR subsytem (which Aldrin had insisted be turned on early "just in case" of an abort, so that the pilots wouldn't have to remember to turn it on if there was an abort), with various other subsystems during the critical final decent stage of the mission - which, all combined, caused the AGC to become "overloaded" and cause the 1201 & 1202 program alarms during the most critical phase of the Apollo 11 mission.

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[T412.Ebook] Get Free Ebook The Collected Works of Alexander Maclaren - Six books in one, by Alexander Maclaren

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This book is a collection of SIX books from the late Alexander Maclaren, a Scottish non-conformist minister. Maclaren preached through much of the Bible throughout his life, and these books are considered some of his best sermons. In total, this collection contains 164 of Maclaren's sermons. This volume contains the following, in order of original publication:

The Unchanging Christ: and other sermons - 1889
The Conquering Christ: and other sermons - 1891
The Wearied Christ: and other sermons - 1893
Christ's Musts: and other sermons - 1894
The Beatitudes: and other sermons - 1896
The Victor's Crowns: and other sermons - 1897

Alexander Maclaren died May 5, 1910.

• Sales Rank: #394535 in eBooks
• Published on: 2012-12-13
• Released on: 2012-12-13
• Format: Kindle eBook

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3 of 3 people found the following review helpful.
Alexander Maclaren
By jim moore
Anything written by Maclaren is priceless! Not always the best of formats but filled with godly wisdom and a blessing to the soul!

2 of 2 people found the following review helpful.
No Table of Contents
By Daniel G Brigham
SIX Books in one Volume! And guess what: There is no Table of Contents much less any way to navigate the book other than reading it page by page starting with page one! The content is great and if you just want to plow ahead and read without caring what comes next, this could be for you. But not only is there on Table of Contents, the names of the six books contained herein are not even listed at the front!

0 of 0 people found the following review helpful.
Content is great but the text is not indexed so you can search it!
By Amazon Customer
The lacks of a table of contents would not be a show stopper if the book was at-least setup to allow for text search.

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• Published on: 1998
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